sun 04/05/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Dear England, National Theatre review - extra time for stirring soccer classic

Read more...

I'm Still Here review - powerful tale of repression and resistance

Read more...

The Years, Harold Pinter Theatre review - a bravura, joyous feat of storytelling

Read more...

September 5 review - gripping real-life thriller

Read more...

Small Things Like These review - less is more in stirring Irish drama

Read more...

Oedipus, Wyndham's Theatre review - careful what you wish for

Read more...

The Other Place, National Theatre review - searing family tragedy

Read more...

The Real Thing, Old Vic review - Stoppard classic keeps on giving

Read more...

Sing Sing review - prison movie with an abundance of heart

Read more...

Only the River Flows review - damp noir

Read more...

Mnemonic, Olivier Theatre review - thanks for the memories

Read more...

Kinds of Kindness review - too cruel to be kind

Read more...

Furiosa: A Mad Max Saga review - just as mad without Max

Read more...

People, Places and Things, Trafalgar Theatre review - a scintillating shot in the arm

Read more...

La Chimera review - magical realism with a touch of Fellini

Read more...

Minority Report, Lyric Hammersmith Theatre review - ill-judged sci-fi

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Fake, ITV1 review - be careful what you wish for

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....

theartsdesk Q&A: film director Déa Kulumbegashvili on he...

One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been...

Music Reissues Weekly: John McKay - Sixes and Sevens

Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has...

Pimpinone, Royal Opera in the Linbury Theatre review - farce...

Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by...

Krapp's Last Tape, Barbican review - playing with the l...

In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...

Formula E: Driver, Prime Video review - inside the world...

The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive sport, but also...

Die Walküre, Royal Opera review - total music drama

Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...