wed 17/09/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

The Laundromat review – The Panama Papers as root canal

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San Sebastian Film Festival: Proxima review – Eva Green has The Right Stuff

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Ad Astra review – out of this world

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The Kitchen review – more gangsters' molls taking over the reins

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Downton Abbey review – business as usual

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It Chapter Two review – time to stop clowning around

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Once Upon A Time… in Hollywood review – Tarantino’s mellowest film yet

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Blinded by the Light review – flawed but feelgood

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Fast & Furious: Hobbs & Shaw review – falls flat fast

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theartsdesk Q&A: documentary maker Karen Stokkendal Poulsen

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The Current War review – lacks the spark of invention

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The Brink review – behind the scenes with Steve Bannon

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Too Late To Die Young review - an absorbing, Chilean coming-of-age

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Game of Thrones, Sky Atlantic, Series 8 Finale review – who will sit on the Iron Throne?

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Madeline's Madeline review – American indie heralds an astonishing new star

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Woman at War review – timely comedy-drama about an eco-warrior with a difference

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The Producers, Garrick Theatre review - Ve haf vays of makin...

Unexpectedly, there’s a sly reference to James Joyce’s Ulysses interpolated into Act One (in case we hadn’t caught the not...

Appl, Levickis, Wigmore Hall review - fun to the fore in cab...

Concerts at the Wigmore Hall offer many types of pleasure, but not...

Album: The Divine Comedy - Rainy Sunday Afternoon

Neil Hannon has been recording and touring as the Divine Comedy since 1989 and has tried a fair few flavours along the way, from chamber pop to...

Lammermuir Festival 2025, Part 2 review - from the soaringly...

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but...

Frances Wilson: Electric Spark - The Enigma of Muriel Spark...

How do you tell the story of a person’s mind? In the preface to Electric Spark: The Enigma of Muriel Spark, published this year by...

Blu-ray: The Sons of Great Bear

Westerns had long been popular with German cinema audiences, some of the most successful being early 1960s West German adaptations of novels by...

Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

Tosca, Welsh National Opera review - a great company reduced...

So it’s come to this: WNO’s autumn season reduced to two operas, a Tosca borrowed from Opera North and a revival of their own Candide...

Not Your Superwoman, Bush Theatre review - powerful tribute...

The Bush is likely to continue its fine recent run of hit plays, with this funny, poignant, culturally authentic and beautifully acted two-hander...