tue 09/09/2025

Opera Reviews

Live from Covent Garden 1, Royal Opera and Ballet online review - small-scale but perfectly formed

David Nice

Vintage champagne was served up last night, and whether you found the glass half-full or half-empty would depend on your perspective.

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La voix humaine, Grange Park Opera online review – hanging on the telephone

Boyd Tonkin

Rustles of renewal are stirring in the Surrey woods where Grange Park Opera has built the splendid theatre that remains, for this summer, sadly out of bounds. Faced with the cancellation of its 2020 programme, Wasfi Kani’s company has not simply relied, like many others, on a back catalogue of archive videos to keep its audiences onside.

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The Legend of the Invisible City of Kitezh, Dutch National Opera, OperaVision review - fairy-tale good and evil made real

David Nice

How do you render pure goodness interesting? Unorthodox director Dmitri Tcherniakov and radiant young soprano Svetlana Ignatovich make us smile and break our hearts with their take on the maiden Fevroniya: living at one with nature, seeing God in everything and destroyed by her encounter with civic life.

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Sadko, Bolshoi Opera online review - medieval Russia meets reality TV

Gavin Dixon

Russia came late to the coronavirus lockdown, and will be leaving early – this evening Vladimir Putin announced that national measures were coming to an end, though the disease still rages there.

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Eugene Onegin, Komische Oper, OperaVision review - sensual and devastating

alexandra Coghlan

Liberated from Pushkin’s salons, ballrooms and bedrooms, Barrie Kosky’s Eugene Onegin bursts out into nature. Tatyana and Olga lounge in the long grass stealing heavy fingerfuls of jam straight from the jar; party-guests run through the trees with flaming torches, dancing wildly, barefoot; after the harvest groups gather on the lawn with picnics and games. This is a world apart, the hot, hazy, endless summer of first love – an intense, but unreliable memory.

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Metropolitan Opera At-Home Gala livestream review - classy joy and sorrow in domestic settings

David Nice

So many of the world's great opera singers inviting us to look through the keyhole at a carefully presented version of their lockdown lives over four very variable hours, such bad sound for the most part (Skype, like Zoom, catches the voice but loses the accompaniment).

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Elektra/Der Rosenkavalier, Nightly Met Opera Streams review - searing hits and indulgent misses

David Nice

A brutal Greek tragedy and a rococo Viennese comedy, both filtered through the eyes and ears of 20th century genius: what a feast on consecutive nights from the Metropolitan Opera's recent archive.

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The Rake's Progress, Complicité online review - well-projected journey from pastoral to madhouse

David Nice

One way to look at Stravinsky's celebrated collaboration with W H Auden and Chester Kallman is as a numbers opera in nine pictures, four of them indebted to Hogarth's series of paintings/prints.

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The Turn of the Screw, Opera North, OperaVision review - claustrophobic visions of terror and beauty

David Nice

Feeling stir-crazy right now? Imagine being confined to one room with a half-crazed housekeeper, two dysfunctional kids and two increasingly insistent ghosts, plagued by nightmares, unable even to get out into the garden or walk down to the lake.

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Le nozze di Figaro, Garsington Opera, OperaVision review - natural comedy, musical sublimity

David Nice

Only the birds will be singing at country opera houses around the UK this summer. Glyndebourne seems over-optimistic in declaring that it might be able to launch in July; other companies with shorter seasons have made the regretful but right decisions to call it a year.

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