thu 10/07/2025

Opera Reviews

Live from Covent Garden 1, Royal Opera and Ballet online review - small-scale but perfectly formed

David Nice

Vintage champagne was served up last night, and whether you found the glass half-full or half-empty would depend on your perspective.

Read more...

La voix humaine, Grange Park Opera online review – hanging on the telephone

Boyd Tonkin

Rustles of renewal are stirring in the Surrey woods where Grange Park Opera has built the splendid theatre that remains, for this summer, sadly out of bounds. Faced with the cancellation of its 2020 programme, Wasfi Kani’s company has not simply relied, like many others, on a back catalogue of archive videos to keep its audiences onside.

Read more...

The Legend of the Invisible City of Kitezh, Dutch National Opera, OperaVision review - fairy-tale good and evil made real

David Nice

How do you render pure goodness interesting? Unorthodox director Dmitri Tcherniakov and radiant young soprano Svetlana Ignatovich make us smile and break our hearts with their take on the maiden Fevroniya: living at one with nature, seeing God in everything and destroyed by her encounter with civic life.

Read more...

Sadko, Bolshoi Opera online review - medieval Russia meets reality TV

Gavin Dixon

Russia came late to the coronavirus lockdown, and will be leaving early – this evening Vladimir Putin announced that national measures were coming to an end, though the disease still rages there.

Read more...

Eugene Onegin, Komische Oper, OperaVision review - sensual and devastating

alexandra Coghlan

Liberated from Pushkin’s salons, ballrooms and bedrooms, Barrie Kosky’s Eugene Onegin bursts out into nature. Tatyana and Olga lounge in the long grass stealing heavy fingerfuls of jam straight from the jar; party-guests run through the trees with flaming torches, dancing wildly, barefoot; after the harvest groups gather on the lawn with picnics and games. This is a world apart, the hot, hazy, endless summer of first love – an intense, but unreliable memory.

Read more...

Metropolitan Opera At-Home Gala livestream review - classy joy and sorrow in domestic settings

David Nice

So many of the world's great opera singers inviting us to look through the keyhole at a carefully presented version of their lockdown lives over four very variable hours, such bad sound for the most part (Skype, like Zoom, catches the voice but loses the accompaniment).

Read more...

Elektra/Der Rosenkavalier, Nightly Met Opera Streams review - searing hits and indulgent misses

David Nice

A brutal Greek tragedy and a rococo Viennese comedy, both filtered through the eyes and ears of 20th century genius: what a feast on consecutive nights from the Metropolitan Opera's recent archive.

Read more...

The Rake's Progress, Complicité online review - well-projected journey from pastoral to madhouse

David Nice

One way to look at Stravinsky's celebrated collaboration with W H Auden and Chester Kallman is as a numbers opera in nine pictures, four of them indebted to Hogarth's series of paintings/prints.

Read more...

The Turn of the Screw, Opera North, OperaVision review - claustrophobic visions of terror and beauty

David Nice

Feeling stir-crazy right now? Imagine being confined to one room with a half-crazed housekeeper, two dysfunctional kids and two increasingly insistent ghosts, plagued by nightmares, unable even to get out into the garden or walk down to the lake.

Read more...

Le nozze di Figaro, Garsington Opera, OperaVision review - natural comedy, musical sublimity

David Nice

Only the birds will be singing at country opera houses around the UK this summer. Glyndebourne seems over-optimistic in declaring that it might be able to launch in July; other companies with shorter seasons have made the regretful but right decisions to call it a year.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Insomnia, Channel 5 review - a chronicle of deaths foretold

A mixture of legal drama, medical mystery and psychological thriller with creepy supernatural overtones, Insomnia sometimes seems to be...

Album: Mark Stewart - The Fateful Symmetry

I met Mark Stewart once. It was on a platform at Clapham Junction, I wouldn’t normally approach a famous person like that, but I felt I had to pay...

First Person: country singer Tami Neilson on the superpower...

I was born Tamara Lee Neilson. I had an Uncle Kenny and an Aunt Dolly (who played guitar and banjo, respectively). I mean, did I really have a...

Album: Gwenno - Utopia

Stylistically, Utopia wears multiple faces. Opening cut “London 1757” drifts by like a twig floating upon an unhurried stream. Next, “...

Live Aid at 40: When Rock'n'Roll Took on the World...

“Bob’s not the kind of guy you can say no to,” said Sting, reminiscing about the origins of 1984’s Band Aid charity single “Do They Know It’s...

theartsdesk Q&A: actor Emma Mackey on 'Hot Milk...

Emma Mackey might have had her breakthrough role as a teenage tough cookie in Netflix's hit Series Sex Education (2019-20223), but there...

Blu-ray: A Hard Day's Night

Andrew Sarris, doyen of auteurist film critics, dubbed A Hard Day’s Night “the Citizen Kane of jukebox musicals”. Wild over-...

Sabrina Carpenter, Hyde Park BST review - a sexy, sparkly, s...

Has Sabrina Carpenter officially conquered London? A year after bestie and fellow Disney alumni Taylor Swift declared the “Summer of Sabrina”...