wed 14/05/2025

Opera Reviews

Netrebko, Met Stars Live in Concert online review - flashy performance from operatic powerhouse

Miranda Heggie

Though the global pandemic has brought about an unprecedented degree of isolation, it’s also, in unusual ways, brought us together too. Visiting New York’s Metropolitan Opera House is currently an impossible dream - the house is still completely dark.

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The Turn of the Screw, OperaGlass Works online review - the fright is in the filming

David Nice

It’s second time lucky for OperaGlass Works, whose previous production at Wilton’s Music Hall, of Stravinsky’s The Rake's Progress, hit the mark for me in the singing but not the staging. I suspect that had we been there in the auditorium with performers all too palpable, the same might have been true of The Turn of the Screw in this venue.

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Holy Sonnets/The Heart's Assurance/A Charm of Lullabies, English Touring Opera online review - darkest hours

Boyd Tonkin

“Death, be not proud, though some have called thee/ Mighty and dreadful, for thou art not so.” John Donne’s Holy Sonnets may summon all his art of wit and paradox to mock that might and dread; still, we sense the abject terror behind the formal acrobatics of the verse. Benjamin Britten wrote his great settings of these great poems after a visit to the liberated Bergen-Belsen camp with Yehudi Menuhin in summer 1945.

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Romances on British Poetry / The Poet's Echo, English Touring Opera online review - Britten and Shostakovich in a double mirror

Richard Bratby

A darkened stage; a pool of light; a solitary figure. And then, flooding the whole thing with meaning, music – even it’s just a soft chord on a piano. It’s no secret to any opera goer that even the barest outlines of a staging can magnify the dramatic potential of a piece of music to a point when it can seem like a completely new work.

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Best of 2020: Opera

David Nice

Surreal fantasy came off best this year, before and after the fall.

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Royal Opera Christmas Concert online review – pajama party around the Nutcracker tree

David Nice

So Hansel and Gretel can’t cuddle up together in the dark forest, Musetta doesn’t fall into long-suffering lover Marcello’s arms and there’s no audience to play to (as there would have been three days earlier).

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Pagliacci, Opera Ensemble, Longborough review - stripped down but live

stephen Walsh

List all the problems that the pandemic places in the way of operatic performance, and you might well end up wondering why anyone would bother.

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Così fan tutte, Scottish Opera online review - wit and deception in an empty theatre

Christopher Lambton

For its latest production, unveiled on Sunday evening but recorded in November, Scottish Opera toys playfully with the absurdities of Covid-compliant performance practice. But maybe sensing our weariness with the whole business, it is not overdone.

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L'enfant et les sortilèges, VOPERA, LPO, Reynolds online – Ravel and Colette reimagined

David Nice

Colette’s sharply fantastical libretto for Ravel’s second one-act opera imagines wrongs exercised upon objects and animals by a naughty child revisited by the victims upon the perpetrator.

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The Seven Deadly Sins, Opera North online review - viscerally thrilling

Jenny Gilbert

Theatres are currently banned from moving scenery and props about on stage and you might expect this to present a major obstacle to a production of The Seven Deadly Sins. How else is the opera’s protagonist to be seen to visit seven American cities, succumbing to a different sin in each?

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