Opera Reviews
The Barber of Seville, Clonter Opera Theatre review - youthful enthusiasm triumphsFriday, 16 July 2021
Harnessing the enthusiasm of youth has always been what Clonter Opera, on a farm in Cheshire, is about with its summer productions. The house is relatively small (there’s always a reduced orchestration as accompaniment), and the idea is that promising young voices can get a chance to try their luck with an audience and learn in the process. Read more... |
The Cunning Little Vixen, Opera Holland Park review - imagine the forest, enjoy the music-makingWednesday, 14 July 2021
Gorgeous woodland romp, a tale of a vivacious, independent-minded young lady-into-fox objectified by three ageing, disillusioned men or a parable of natural regeneration? The different levels of Janáček’s one-off fantasy, from strip-cartoon origins to wise philosophy, are hard to hold in balance. Read more... |
Dido’s Ghost, Buxton International Festival review - the Queen of Carthage returnsTuesday, 13 July 2021
“Remember me!”, sang Dido to a departed Aeneas in the heart-rending aria-chaconne announcing her demise that dominates the ending of Purcell’s baroque opera. But what if he did … if in fact he never could forget her? Read more... |
The Dancing Master, Buxton International Festival review - doing it on the radioMonday, 12 July 2021
How would you solve the problems inherent in a production of Malcolm Arnold’s The Dancing Master, bearing in mind the need for social distancing for performers, comparatively miniscule budgets for scenery and props, and the uncertainty surrounding just about everything in a summer opera festival these days? Read more... |
A Midsummer Night's Dream, The Grange Festival review - heroic comedy in hard timesWednesday, 30 June 2021
When the history of 2021’s slow emergence from lockdown comes to be written, musical administrations will stand out among the heroes. That’s especially true of the country-house opera organisations which have mushroomed in recent years. Read more... |
Amadigi, Garsington Opera review – geometries of enchantmentSunday, 27 June 2021
In Handel’s operas (as, indeed, elsewhere in art and life) the worst witch may turn out to have the best character. Without the sorceress Melissa, splendidly full of evil ruses yet endowed with a generous measure of tragic pathos, Amadigi di Gaula might freeze into a static amorous stand-off between pasteboard nobles contending with a harsh – then, suddenly, kindly – fate. Read more... |
BBC Cardiff Singer of the World 2021 Final, BBC Four review – an embarrassment of vocal richesMonday, 21 June 2021
A massive musical hope for the future is what we all need right now, after 14 stop/semi-start months and a threatened decimation of the concert and opera scene, the danger of which isn't over yet. Read more... |
Ivan the Terrible, Grange Park Opera review - from tsar to Stalin in five lopsided scenesMonday, 21 June 2021
All 15 of Rimsky-Korsakov’s operas deserve to be seen and heard live at least once, though not all of them need staging. Read more... |
Der Rosenkavalier, Garsington Opera review - musical marvels, drama less often fulfilledFriday, 18 June 2021
Whatever else happens on the country opera scene this summer, the golden rose award for sheer chutzpah goes to the ever-ambitious Garsington team in pulling this off in no small style. Planning any production of Richard Strauss and Hugo von Hofmannsthal’s intricate 1911 “comedy for music” is daring at the best of times; in the still-shaky Covid era, the decision to go ahead might have seemed foolhardy. Read more... |
La traviata, Opera Holland Park review – a revival in rude healthMonday, 07 June 2021
Loudly and painfully, the consumptive Violetta wheezes before we hear a single note. Her pitiful gasping for the breath that deserts her precedes the prelude to Opera Holland Park’s La traviata; the same effect ushers in Act Three. Read more... |
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