New Music Reviews
Motörhead, O2 Academy BrixtonSunday, 18 November 2012
As Ian “Lemmy” Kilmister heads towards his 67th birthday does he ever reflect on the strange and fabulous journey his 50 years as a professional musician have taken? I doubt it – navel gazing not being something Stoke On Trent’s most famous son is known for indulging in. Read more...
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Reissue CDs Weekly: The Jam, Ray Stinnett, Sandy Denny, The ServantsSunday, 18 November 2012
Thomas H Green Read more... |
Crossfire HurricaneSaturday, 17 November 2012
What a year for great British institutions. Sixty years of Elizabeth II, 50 years of James Bond, and a half-century of the Rolling Stones. To recycle an even older cliche, we will never see the like of any of them again. Read more... |
Noisettes, Oran Mor, GlasgowFriday, 16 November 2012
There is something so otherworldly about Shingai Shoniwa, the vocal powerhouse who fronts Noisettes, that it is unsurprising to see the band play on it. Shoniwa arrived onstage in a blaze of light, in a spinning gold-hooped skirt that seemed to mimic a flying saucer in the chaos, before launching into a storming rendition of the band’s “I Want You Back”. Read more... |
Jake Bugg, KokoThursday, 15 November 2012
Billy Bragg recently described Jake Bugg as “a teenager with an ear for a good tune and a chip on his shoulder". He was referring to Bugg’s evocations of council estate life, which have invited comparisons to the Arctic Monkeys. Others have sneered at the youngster’s friendship with Noel Gallagher and his unashamedly retro sound. But what’s wrong with being an angry young man with a guitar? Read more... |
Kurt Elling and Sheila Jordan, Queen Elizabeth HallThursday, 15 November 2012
Just occasionally an artist hits the truth of the song in such spectacular fashion that it makes you feel with ever greater intensity what it means to be human. Read more... |
Cage Rattling, King's PlaceWednesday, 14 November 2012
In 1991, the Basque performance artist Esther Ferrar wrote a letter to modern music’s inventive genius, John Cage, on the future of anarchism. Read more... |
Herbie Hancock Plugged In, Royal Festival HallTuesday, 13 November 2012
At the beginning of last night's show, Herbie Hancock looked like he was going to perform with the dignity and serenity befitting a 72-year-old with some 50 years playing experience. The improvisation that launched from a base of Wayne Shorter's “Footprints” was elegant, charming, tasteful and often very beautiful. Read more... |
Black Top #5, Café OtoTuesday, 13 November 2012
For the way it combined mercurial, on-the-fly interplay, seismic textural shifts and listening of the highest order, this gig was remarkable. In the space of two continuous sets there wasn't a longueur to be found, such was the incredible union of Black Top #5's boundary-pushing improv and fine-tuned musicianship. Read more... |
Charley Pride, IndigO2/ Lucinda Williams, Royal Festival HallMonday, 12 November 2012
Britain has a grudging relationship with country music – we’ve never produced a successful country singer (although the likes of guitarist Albert Lee and several songwriters have prospered in Nashville) and our love for the likes of Johnny Cash is tempered by a contempt for much of what is marketed as country music. I’m often surprised by how blues, soul and jazz lovers can admit ignorance of a musical form so closely related to other American genres. Read more... |
The Jam: The GiftPages
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