tue 12/08/2025

New Music Reviews

Rodriguez, Usher Hall, Edinburgh

graeme Thomson

We surely all know the story of Sixto Rodriguez by now. The Detroit-born singer-songwriter made two fine albums in the early 1970s, Cold Fact and Coming from Reality, before swiftly vanishing.

Read more...

The Story of Charlie Is My Darling

Tim Cumming

There’s a shot of the six of them running across a railway line in Belfast, running for their lives, Brian Jones at the rear, "Satisfaction" at the top of the charts, and there he is, the one who set light to the whole thing, between Mick and Keith.

Read more...

Reissue CDs Weekly: 10cc, Eric Clapton, Marc Almond, Johnny Thunders & the Heartbreakers

theartsdesk

 

10cc Tenology10cc: Tenology

Kieron Tyler

Read more...

CD: Alicia Keys - Girl On Fire

peter Quinn

14 Grammy Awards, over 30 million albums sold, immortalised in song by Bob Dylan. It's hard to believe that Girl On Fire is only Alicia Keys's fifth studio album, such is the extent of her success. The singer-songwriter's previous release, The Element of Freedom, successfully mined the juxtaposition of powerful beats and understated vocals.

Read more...

Robbie Williams, O2 Arena

Thomas H Green

Frustratingly, the ramshackle rail service from Brighton deposits me at the crammed O2 20 minutes into Robbie Williams's set. After the eerie quiet of the airport-like walkways around the perimeters, the torrid atmosphere inside the gigantic arena is a shocker. It's packed to the rafters with women shrieking and waving their arms in the air while their men sit beside them, sheepishly mouthing lyrics.

Read more...

Squeeze, The Dome, Brighton

Thomas H Green

Any gig is partly defined by its audience. Brighton audiences, particularly Brighton Dome audiences, are usually a lively bunch but tonight’s crowd, at least until beyond halfway through, are still as dummies in their seats, quiet as mice. Looking around is uncanny, like observing a theatre watching a Strindberg play or some such. True, they’re mostly in their fifties but that’s a poor excuse. The last time I saw the Dome this dead was when Ultravox played a couple of years back.

Read more...

Band of Horses, Hammersmith Apollo

Russ Coffey

Even their name, Band of Horses, conjures up something exotic. The Carolina five-piece’s lyrics may occasionally veer towards the angsty but their sound is firmly anchored in their sumptuous sweeping Americana. It earned their last album, Infinite Arms, a Grammy nomination. This year’s Mirage Rock takes that formula and shakes it up with a handful of grit.

Read more...

Shuggie Otis, Jazz Cafe

Garth Cartwright

A decade ago I was wearing a T-shirt branded with the cover to Shuggie Otis’s Inspiration / Information album when an American woman approached me, loudly declaring “Shuggie Otis! His wife used to be my best friend!

Read more...

theartsdesk at the London Jazz Festival: Heart beats on the fringe

Tim Woodall

Squeezing nearly 300 events into the 10-day dash that is the London Jazz Festival, which has just ended required dozens of venues – many not regular presenters of jazz – to open their doors. From the 606 Club in the west to Oliver’s Bar in Greenwich in the east, the Finchley Arts Depot in the north to the Hideaway down south in Streatham, it is in the pubs, clubs and community venues of London that the jazz festival’s heart beats.

Read more...

Frank Turner and the Sleeping Souls, Picture House, Edinburgh

Lisa-Marie Ferla

Gig-going in the winter can be a difficult business. Plummeting temperatures call for layers, thick coats and scarves - none of which are easily stowed away at your average club show. As the venue starts to fill up with similarly clad bodies the place gets sweatier and sweatier, but by the time you realise you really should have coughed up a couple of quid and the extra wait for the cloakroom you’re probably already hemmed in.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
BBC Proms: Akhmetshina, LPO, Gardner review - liquid luxurie...

Water surged through this Prom from first spray to last drop....

Freakier Friday review - body-swapping gone ballistic

Before Freakier Friday there were the two film versions of Freaky Friday based on Mary Rodgers’s lively, perceptive 1972 Young...

theartsdesk in Kovachevitsa - top Bulgarians and friends mak...

Performers and public alike always treasure a beautiful and, in this case, remote setting for a music festival. But people matter as much as sense...

Edinburgh Fringe 2025 reviews - Lily Blumkin / Shamik Chakra...

Lily Blumkin, Gilded Balloon @ Patter House ★★★ 

Lily Blumkin...

Budapest Festival Orchestra, Iván Fischer, Edinburgh Interna...

Fresh from their triumph at the Proms, the Budapest Festival Orchestra arrived at the Edinburgh International Festival with a programme that...

Tom at the Farm, Edinburgh Fringe 2025 review - desire and d...

As shockingly beautiful as it is horrifyingly brutal, actor Armando Babaioff’s deeply Brazilian adaptation of thriller Tom at the Farm...

MARS, Irish National Opera review - silly space oddity with...

The craft heads to Mars, the music remains below on earth. Which is partly intentional: composer Jennifer Walshe tells us she listened to “synth...

Edinburgh Fringe 2025 reviews - Desiree Burch / Andy Parsons

Desiree Burch, Monkey Barrel ★★★★

Desiree Burch is a bundle of energy as...