wed 14/05/2025

New Music Reviews

The Cult /The Mission, Hammersmith Apollo

Russ Coffey

In the summer of ’86, The Cult’s Ian Astbury invited The Mission on tour with them. Mission main man, Wayne Hussey, had recently fled the role of guitarist in The Sisters of Mercy to lead his own band. Goth fans had high hopes for them. Some thought they would eventually become bigger than the Cult. Over the next few years, though, both career paths defied expectations.

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Punk on Show: Was England Dreaming?

Kieron Tyler

On the 35th anniversary of the year punk met the mainstream, it’s to be expected that retrospection and nostalgia are in the air. Television has had a go, albums are being reissued and old soldiers are telling their stories. By its very nature an anniversary suggests that things were cut and dried, that 1977 was a beginning or a marker in the sand.

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The Marc Bolan 35th Memorial Concert, Shepherd's Bush Empire

howard Male

Marc Bolan’s voice was as inseparable from his songs as the sheen and shimmer of one of his Biba satin jackets was inseparable from the jacket itself. That unique faux-posh phrasing, singing whimsical, surreal lyrics, became texturally essential to every T Rex song. Because his voice was such an integral aspect of his music, I had mixed feelings about last night’s tribute concert in aid of the PRS for Music Members Benevolent Fund.

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Reissue CDs Weekly: Joe Strummer & the Mescaleros, The Gary Burton Quartet, Heavy Metal Kids, Boyce & Hart

theartsdesk

 

Joe Strummer & the Mescaleros Global A Go-GoJoe Strummer & the Mescaleros: Global A Go-Go, Streetcore

Lisa-Marie Ferla

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Patti Smith, The Dome, Brighton

Thomas H Green

Patti Smith does not appear to change very much, visually. Her image is undoubtedly part of her appeal, especially in Brighton with its large lesbian population. She arrives on stage in pale blue jeans, a white shirt and a baggy cardy-style jacket, face unadorned with make-up and hair straggled down around her shoulders. From a distance she looks very much as she did in the mid-Seventies. She certainly doesn’t look 65.

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theartsdesk in Pula: Dubstep's Croatian conference

joe Muggs

It's a truism in dance music culture that “everyone's a DJ nowadays”. It's generally meant in a flip, pejorative sense – suggesting that cheap technology means every man Jack and his dog can put a sequence of records together and the role is somehow devalued.

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Larry Graham & Graham Central Station, Clapham Grand

Garth Cartwright

At 66 Larry Graham remains a remarkably supple, handsome man. The huge afro that once towered over him is long gone but the ability to pluck and thump the funkiest rhythms on earth from his white bass remains unmatched. Graham made his name as original bassist/bass vocalist in Sly & The Family Stone, the Bay Area band that proved such a potent force in popular music 1968-1973.

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The Killers, Roundhouse

Russ Coffey

The moment everyone will remember came exactly an hour in: Brandon Flowers was singing  “All These Things That I've Done” with the conviction of a man at confession. Behind him a video screen showed a loner carrying a long wooden sign on his shoulder like a cross. In the desert in front of him scantily dressed women stood by a grave. Suddenly there was an explosion above us all. Red and silver glitter thunderbolts rained down.

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theartsdesk at Bestival 2012: Wild Times Across the Water

Caspar Gomez

Friday 7th September

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theartsdesk at the Berlin Festival and Music Week

Kieron Tyler

Sometimes, it doesn’t matter who you are. You might be a charismatic performer, or the most energetic band in the world. But some settings can’t be outperformed. Holding Berlin Festival at the city’s astonishing out-of-commission Tempelhof airport sets a challenge that’s almost impossible to rise to. Although it began working in the late 1920s, the surviving buildings were completed in 1941 and form a single block over a kilometre long, wrapped around an open quadrangle.

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