Classical Reviews
Prom 61, Cabell, Chineke! Voices and Orchestra, Edusei review - a thrilling, fiercely rational Beethoven 9Saturday, 03 September 2022
Last night’s riveting, meticulous account of Beethoven’s Ninth from the Chineke! Orchestra was as daring in its restraint as it was thrillingly revelatory. Right from the subtle shimmer of the first movement’s opening cascades it was clear that this interpretation had put each bar under the microscope and found it teeming with new life. Read more...
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Sheku Kanneh-Mason & Friends, Bold Tendencies review - intimate tenderness under a car-park roofSaturday, 03 September 2022
When I worked in the Music Discount Centre decades ago, and non-stop CDs in the background were ordained, a customer remarked wryly of eight Bayreuth Festival horns playing Wagner “very crepuscular”. Five cellists playing Bach and Villa-Lobos as darkness fell beneath the roof of Peckham’s Multi-Storey Car Park could also be so described, but as a compliment: this was a grave and beautiful way to start the perfect entertainment. Read more... |
Prom 59, The Dream of Gerontius, Clayton, Barton, Platt, LPO, Gardner review - most sure in all its waysThursday, 01 September 2022
Asked which work suits capricious Albert Hall acoustics best, I’d say Elgar’s The Dream of Gerontius, partly due to the choral billows – this year there’s been an extra thrill about massed choirs – but also because the Kensington colosseum haloes this spiritual journey of a soul. Best singer in the space? Based on years of Proms experience, surely the palm should go to tenor Allan Clayton, ringing of tone and so clear in diction that you can hear every word. Read more... |
Prom 57, Bach Mass in B Minor, OAE, Butt review - passion and precisionTuesday, 30 August 2022
A strong team of musical chefs can blend and spice Bach’s mighty Mass in B Minor in a variety of different ways, and still prepare a feast to savour. We don’t know exactly why Bach felt compelled to bundle his decades of genius into this late portmanteau showcase, only that he did – and that its credible interpretations can span contrasting views. Read more... |
TUKS Camerata, Voces8 Live from London online review - a diverse choral selectionTuesday, 30 August 2022
The Voces8 Live from London, now in its seventh iteration, has progressed from streaming choral chamber music from an empty studio to an 80-strong visiting choir in a packed Christ Church, Spitalfields. In doing this the festival has retained its best features – a variety of repertoire, collaboration with a range of ensembles – while adding scale and the warmth of a live audience. Read more... |
Batiashvili, Philadelphia Orchestra, Nézet-Séguin, Edinburgh International Festival 2022 review - classy playing, mismatched programmeMonday, 29 August 2022
For the penultimate concert in the Philadelphia Orchestra’s residency at the Edinburgh Festival, the chosen repertoire was evidently considered so obscure that the box office managers didn’t even try to sell any tickets in the Usher Hall’s cavernous upper circle. To shut off nearly half the concert hall for a world class orchestra that has crossed the Atlantic shows either a healthy disregard for the fickleness of audience taste, or a near suicidal disinterest in box office revenue. Read more... |
Prom 52, Kuusisto, Finnish RSO, Collon review - fairytales, folksongs and a soaring larkSaturday, 27 August 2022
Schoolteachers know – even if only the very best can put it into practice – that faced with a noisy classroom you shouldn’t raise your voice, but rather speak quietly. Read more... |
Pavel Haas Quartet, Edinburgh International Festival 2022 review - a scorching team on top formFriday, 26 August 2022
This is the Pavel Haas Quartet’s second visit to a Scottish festival this summer. They were among the stars of the East Neuk Festival at the start of July, and they were every bit as scorching in this Edinburgh International Festival concert. Read more... |
Prom 49, Mahler's 'Resurrection' Symphony, Connolly, Alder, LSO, Rattle review - a long and grand goodbyeThursday, 25 August 2022
Long goodbyes don’t get grander, warmer or more passionate than this. Sir Simon Rattle began his farewell season with the London Symphony Orchestra with a Proms performance of Mahler’s Second, “Resurrection” Symphony – the mighty work that has waymarked the major moves of his career. Read more... |
Duval, Isserlis, Beatson, Fidelio Cafe review - in seventh heaven with the greatsWednesday, 24 August 2022
It feels like a decade, but only two and a bit years have passed since Steven Isserlis stepped out in front of a small but very much live audience at what was then the Fidelio Orchestra Cafe in July 2020. Three hundred or so Fidelio events later, he’s back, and much as he clearly loves the place, he loves the French repertoire he’s been playing with violinist Irène Duval and pianist Alasdair Beatson even more. Read more... |
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