book reviews and features
Naomi Klein: On Fire: The Burning Case for a Green New Deal review - an unapologetic manifesto
Tuesday, 22 September 2020
On Fire brings together a decade’s worth of dispatches from the frontline of the... Read more... |
James Rebanks: English Pastoral, An Inheritance review - a manifesto for a radical agricultural rethink
Monday, 21 September 2020
Coming from a family of farmers, with periods of time spent working on a farm in the past ten years, I found James Rebanks’ English Pastoral: An Inheritance to be a highly... Read more... |
William Feaver: The Lives of Lucian Freud: Fame 1968-2011 review - mesmerising, exhaustive and obsessively detailed
Sunday, 13 September 2020
This is a biography like no other, more or less dictated by... Read more... |
Nick Hornby: Just Like You review - funny but inauthentic Brexit novel
Sunday, 13 September 2020
Nick Hornby’s protagonists are worlds apart. Joseph is a Black 22-year-old with a “portfolio career", which includes shift work at a butcher’s and a leisure centre and the distant dream of... Read more... |
Susanna Clarke: Piranesi review - the mysteries of the House
Sunday, 13 September 2020
The man called Piranesi lives in a House (he likes Capital Letters, and he tells the story). This House consists of an endless labyrinth, like “an infinite series of classical buildings knitted... Read more... |
Matthew Sperling: Viral review - whip-smart satire about the void at the heart of tech
Sunday, 13 September 2020
Strange, that novels like this, which seem to have their finger on the pulse of the zeitgeist, already... Read more... |
Naomi Booth: Exit Management review - unwrapping life's unpleasantness
Sunday, 13 September 2020
When you try to get rid of something, it comes back to bite you – so says Naomi Booth in her new novel Exit Management. It’s one of... Read more... |
Gabriel Pogrund & Patrick Maguire: Left Out review - story of Corbynism from 'Glastonbury to catastrophe'
Sunday, 06 September 2020
Readers of Left Out may be surprised to find out how much of party politics is conducted over WhatsApp. The Labour Party under Jeremy... Read more... |
Wayne Holloway-Smith: Love Minus Love review – powerfully excavating the tormented poet's psyche
Sunday, 06 September 2020
Roughly two years since “... Read more... |
Selva Almada: Dead Girls review – the stark proximity of women to violence
Sunday, 06 September 2020
Selva Almada’s newly translated work has a stark title in both English and the original Spanish: Dead Girls, or Chicas Muertas. That apparent bluntness belies the hybrid... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: Roots Rocking Zimbabwe
“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...
Supergrass, Barrowland, Glasgow review - nostalgia played wi...
It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...
Louis Cole, Roundhouse review - nothing is everything
London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...
Album: Peter Doherty - Felt Better Alive
Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...
Here We Are, National Theatre review - Sondheim's sensa...
You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....
Riefenstahl review - fascinating fascism? Portrait of the Na...
There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a...
Giant, Harold Pinter Theatre review - incendiary Roald Dahl...
When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here,...
'Classic-era prog’s Olympian pinnacle': Pink Floyd...
Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of...
The Surfer review - Nicolas Cage is relentlessly down and ou...
“Don’t live here, don’t surf here,” is the menacing motto (sounds more scary with an Australian accent) of the tanned, muscular denizens of Luna...