sat 10/05/2025

book reviews and features

Tabitha Lasley: Sea State review - a one-woman odyssey through UK oil

Daniel Lewis

Straight off the bat, Tabitha Lasley’s soon-to-be ex-boss points out the fatal flaw in her life-changing project. Jettisoning her job at a women’s magazine, a long-term boyfriend, a cramped London...

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Francis Spufford: Light Perpetual review - time regained

Boyd Tonkin

On 25 November 1944, a German V2 rocket struck the Woolworths store in New Cross at Saturday lunchtime. It killed 168 people. Francis Spufford’s second...

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Alice Ash: Paradise Block review - a matrix-like collection that reinvents the short story genre

Lydia Bunt

“Burglar alarms jangled through the empty hallways of Paradise Block.” In this ramshackle, lonely tenement, such alarms might be one’s only company. Yet, in this intricate collection of...

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Eddie S Glaude Jr: Begin Again - James Baldwin's America and Its Urgent Lessons for Today review - can America avoid the fire this time?

Liz Thomson

I suspect that the work of James Baldwin is not all that familiar to readers in Britain, perhaps not even to...

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Olivia Sudjic: Asylum Road review - trauma, barely suppressed

India Lewis

In Asylum Road, Olivia Sudjic's third book, everything is purposeful, each loaded gun introduced...

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Raven Leilani: Luster - portrait of the artist as a black millennial woman

Daniel Lewis

One of the finer episodes in Raven Leilani’s startling debut (which contains an embarrassment of fine episodes)...

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Mark Fisher: Postcapitalist Desire - The Final Lectures review - imagining the alternative

Daniel Baksi

Postcapitalist Desire: The Final Lectures is a collection of transcripts, recording weekly group lectures...

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Julia Bell: Radical Attention review - a clear rendering of our withering attention spans

Lydia Bunt

You go out for a walk and leave your devices at home; your head feels a little bit clearer. But when you get back and plonk yourself...

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George Saunders: A Swim in a Pond in the Rain review – Russian lessons in literature and life

Boyd Tonkin

Before he published fiction, George Saunders trained as an engineer and wrote technical reports. The Booker-winning author of Lincoln in the Bardo,...

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Courttia Newland: A River Called Time review - an ethereality check

Charlie Stone

It is near impossible to imagine what the world would look like today if slavery and colonialism had...

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Supergrass, Barrowland, Glasgow review - nostalgia played wi...

It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...

Louis Cole, Roundhouse review - nothing is everything

London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...

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Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...

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You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....

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There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a...

Giant, Harold Pinter Theatre review - incendiary Roald Dahl...

When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here,...

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Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of...

The Surfer review - Nicolas Cage is relentlessly down and ou...

“Don’t live here, don’t surf here,” is the menacing motto (sounds more scary with an Australian accent) of the tanned, muscular denizens of Luna...

Einkvan, Det Norske Teatret, The Coronet Theatre review - al...

Watching the stricken faces on the split screen, I felt at times like callow Farfrae in Hardy’s The Mayor of Casterbridge: when faced...

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