book reviews and features
Andrey Kurkov: Grey Bees review - light Ukrainian odyssey, with bite
Wednesday, 18 November 2020
This time, the Ukrainian author of Death and the Penguin, known for his brilliantly dark humour,... Read more... |
Book extract: Nativity by Jean Frémon, with drawings by Louise BourgeoisMonday, 16 November 2020
How should one paint the baby Jesus? This deceptively innocent question runs the length of Jean Frémon's Nativity, a fictional work that takes as its subject the first painter to... Read more... |
Ben Wilson: Metropolis - A History of Humankind's Greatest Invention review - urban resilience throughout the ages
Tuesday, 10 November 2020
Like the novel, painting and God, the city has long been pronounced dead – along with a few other things, like civil politics, society and the art of conversation that were said to have thrived... Read more... |
Gigantic Cinema: A Weather Anthology review - wild writing to stimulate the senses
Wednesday, 28 October 2020
Among the French composer Claude Debussy’s greatest and characteristically subtle innovations was to put the titles at the end of his pieces. He did this in his piano collection Preludes... Read more... |
Judith Herrin: Ravenna review - flashes of order and beauty in a chaotic world
Monday, 26 October 2020
Anyone mesmerized by the mosaics in seven of Ravenna’s eight Unesco world heritage sites may be surprised by the... Read more... |
Jenny Hval: Girls Against God review - a sticky dance through space and time
Wednesday, 21 October 2020
Jenny Hval’s Girls Against God covers every angsty young woman’s favourite subjects. Witchcraft, heavy... Read more... |
10 Questions for Poet and Critic Rebecca Tamás
Tuesday, 20 October 2020
Strangers: Essays on the Human and Nonhuman is a powerful invitation to rethink, to doubt and to engage. Beginning among the Diggers’ tilled earth in 1649 and the eco-socialist "... Read more... |
The Secret History of My Library: Essay by Daniel Saldaña París
Wednesday, 14 October 2020
Books lost, left in houses I never returned to; dictionaries mislaid during a move; seven boxes sold to a second-hand bookstore… The history of my library is the history of loss and an impossible... Read more... |
Dolly Alderton: Ghosts review - a love story beyond romance
Tuesday, 13 October 2020
There’s something simultaneously cringey and also addictive about Dolly Alderton’s prose. Ghosts is definitely... Read more... |
Richard J Evans: The Hitler Conspiracies review – Nazi myths debunked
Monday, 12 October 2020
In the days when crowds still thronged airport bookshops, any work entitled The Hitler Conspiracies would surely leap off the shelves. This one ought to flourish in our more immobile... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: Roots Rocking Zimbabwe
“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...
Supergrass, Barrowland, Glasgow review - nostalgia played wi...
It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...
Louis Cole, Roundhouse review - nothing is everything
London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...
Album: Peter Doherty - Felt Better Alive
Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...
Here We Are, National Theatre review - Sondheim's sensa...
You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....
Riefenstahl review - fascinating fascism? Portrait of the Na...
There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a...
Giant, Harold Pinter Theatre review - incendiary Roald Dahl...
When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here,...
'Classic-era prog’s Olympian pinnacle': Pink Floyd...
Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of...
The Surfer review - Nicolas Cage is relentlessly down and ou...
“Don’t live here, don’t surf here,” is the menacing motto (sounds more scary with an Australian accent) of the tanned, muscular denizens of Luna...