Visual Arts Reviews
The London Mastaba, Serpentine Galleries review - good news for ducks?Thursday, 21 June 2018
It’s not as immersive as New York’s The Gates, 2005, nor as magnificent as Floating Piers, 2016, in Italy’s Lake Iseo – it has also, according to Hyde Park regular Kay, “scared away the ducks,” – but superstar artist Christo’s The London Mastaba looks quite absurdly unreal and is totally free for the public. Read more... |
Hidden Door Festival, Edinburgh - transforming spacesThursday, 07 June 2018
In just five years, what the team behind Hidden Door Festival has achieved is quite remarkable. Read more... |
Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mindTuesday, 05 June 2018
Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Read more... |
David Shrigley talk, Brighton Festival review - comedic stroll through a career in artThursday, 24 May 2018
As the Brighton Festival 2018 draws towards its closing weekend, its Guest Director, the artist David Shrigley, has committed to an illustrated talk about his work that “will contain numerous rambling anecdotes but not be in the slightest bit boring”. In the programme, he claims to have promised this signed in his own blood. Such drastic assurance proves unnecessary. Read more... |
Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplentyThursday, 24 May 2018
“Oh say, can you see, by the dawn’s early light” was a vision of the American flag, that star-spangled banner, riding proud from Francis Scott Key’s patriotic poem of 1814 based on an episode in the War of 1812. Read more... |
Highlights from Photo London 2018 - something old, something newSaturday, 19 May 2018
Photo London seems much better this year, mainly because I am at last able to find my way around the labyrinthine Somerset House without getting lost in photography. Things got off to a good start when I bumped into Annie Leibovitz in reception. Actually "bumped into" isn’t quite the right expression – she and her entourage went through like an express train. Read more... |
The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new eraFriday, 18 May 2018
This weekend the Royal Academy (R.A) celebrates its 250th anniversary with the opening of 6 Burlington Gardens (main picture), duly refurbished for the occasion. When it was dirty the Palladian facade felt coldly overbearing, but cleaning it has highlighted the bands of sandstone and brown marble columns that lend warmth to the Portland stone. Read more... |
David Shrigley/Brett Goodroad, Brighton Festival review - showcases puncturing the medium's pretenceTuesday, 15 May 2018
In his 1991 novel Mao II, Don DeLillo called the literary medium “a democratic shout”. His oft-quoted claim is that any man or woman on the street could strike it lucky, find their voice, and write a great book. Not only does everyone carry round a novel, but those novels are potentially brilliant. Read more... |
Rodin and the Art of Ancient Greece, British Museum review - magnificence of form across the millenniaFriday, 04 May 2018
In bronze, marble, stone and plaster, as far as the eye can see, powerful figures and fragments – divine and human, mythological and real; athletes, soldiers and horses alongside otherworldly creatures like Centaurs – stride out. Read more... |
Shape of Light, Tate Modern review - a wasted opportunityThursday, 03 May 2018
"From today painting is dead" was the pessimistic outcry of Paul Delaroche on first seeing a photograph. Ever since its inception, photography has had a vexed but fruitful relationship with painting. Read more... |
Pages
latest in today
'We are bowled over!' Thank you for your messages...
