Markie Robson-Scott

Articles By Markie Robson-Scott

Pink Wall review - scattered scenes from a tortuous relationship Saturday, 14 December 2019 Read more...	Greener Grass review - American suburbia goes haywire in surreal dark comedy Friday, 22 November 2019 Read more...
Vienna Blood, BBC Two review - psychoanalysis and murder in turn-of-the-century Vienna Tuesday, 19 November 2019 Read more...	Guilt, BBC Two review - dark Scottish comedy starring Mark Bonnar and Jamie Sives Wednesday, 30 October 2019 Read more...
Monos review - teenage guerrillas raising havoc Thursday, 24 October 2019 Read more...	Hitsville: the Making of Motown - a thrilling celebration of the record label's heyday Tuesday, 01 October 2019 Read more...
Phoenix review - Norwegian family tragedy with an autobiographical slant Saturday, 14 September 2019 Read more...	Heartbreak Holiday, BBC One review - can it match up to Love Island? Wednesday, 21 August 2019 Read more...
Train Your Baby Like A Dog, Channel 4 review - an animal behaviourist tackles tantrums Tuesday, 20 August 2019 Read more...	JT Leroy review - pseudonym, avatar, literary hoax Wednesday, 14 August 2019 Read more...
This Way Up, Channel 4 review - hilarity with a dark undercurrent Thursday, 08 August 2019 Read more...	Inside the Secret World of Incels, BBC One review - involuntary celibacy, violence and despair Thursday, 01 August 2019 Read more...
Lucinda Williams, Barbican review - memories, heartache and Southern secrets Monday, 29 July 2019 Read more...	Marianne and Leonard review - the artist, his muse and collateral damage Friday, 26 July 2019 Read more...
Vita and Virginia review - more Gloomsbury than Bloomsbury Saturday, 06 July 2019 Read more...	We the Animals review - lyrical story of brotherly love and family trauma Wednesday, 12 June 2019 Read more...

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...