thu 19/06/2025

Markie Robson-Scott

Articles By Markie Robson-Scott

Skate Kitchen review - sisterhood in the skate park

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DVD/Blu-ray: Let the Sunshine In

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McQueen review - the dark brilliance of Alexander McQueen

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Meg Wolitzer: The Female Persuasion review - the many faces of feminism

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Tully review - Charlize Theron plumps for sentiment

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Come Home, BBC One review - a drama of family disintegration, divided loyalties

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My Generation review - Michael Caine presents the Sixties

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I, Tonya review - Margot Robbie shines in over-complicated oddity

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Lady Bird review - Greta Gerwig's luminous coming-of-age movie

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Dave Eggers: The Monk of Mokha review - how to become a grand master of coffee

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Last Flag Flying review - Richard Linklater on the lies of war

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The Final Year review - Greg Barker documents Obama's last year in office

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Suburbicon review - George Clooney's jarring pastiche of the American dream

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Tina Brown: The Vanity Fair Diaries 1983-1992 review - portrait of an era of glitz and excess

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Susie Boyt: Love & Fame review - as highly strung as a violin factory

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Goodbye Christopher Robin review - no escape for a boy and his bear

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'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...