Markie Robson-Scott

Articles By Markie Robson-Scott

What We Do in the Shadows, BBC Two review - the vampires of Staten Island are back Friday, 12 June 2020 Read more...	Camino Skies review - NZ documentary brings no surprises Wednesday, 06 May 2020 Read more...
Code 404, Sky One review - surreal cop comedy presses the right buttons Thursday, 30 April 2020 Read more...	Garth Greenwell: Cleanness review - pornography and high art Sunday, 19 April 2020 Read more...
Selah and the Spades, Amazon Prime review - boarding-school cliques go gangster Saturday, 18 April 2020 Read more...	Killing Eve, Series 3, BBC iPlayer review - Eve and Villanelle resume operations Monday, 13 April 2020 Read more...
Tigertail review, Netflix - a story of immigrant opportunities, taken and missed Friday, 10 April 2020 Read more...	Sunnyside, Sky Comedy review - the immigrant experience and the American dream Tuesday, 17 March 2020 Read more...
Christos Tsiolkas: Damascus review - the author of The Slap goes biblical Sunday, 01 March 2020 Read more...	Downhill review - American remake wanders off-piste Saturday, 29 February 2020 Read more...
Midnight Family review - a thrilling documentary set in Mexico City Saturday, 22 February 2020 Read more...	Show Me the Picture: The Story of Jim Marshall review - needles, guns and grass Saturday, 01 February 2020 Read more...
DVD/Blu-ray: Bait Monday, 27 January 2020 Read more...	Waves review - pulsating, rapturous, devastating Friday, 17 January 2020 Read more...
Deadwater Fell, Channel 4 review - dark murder mystery in a Scottish village Saturday, 11 January 2020 Read more...	Rosamund Lupton: Three Hours review - gripping thriller with a Macbeth twist Saturday, 04 January 2020 Read more...

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...