Markie Robson-Scott

Articles By Markie Robson-Scott

Reawakening review - a prodigal daughter returns, or does she? Friday, 13 September 2024 Read more...	Sky Peals review - a parable of alienation in a motorway service station Thursday, 08 August 2024 Read more...
DVD/Blu-Ray: Back to Black Tuesday, 02 July 2024 Read more...	Freud's Last Session review - Freud and CS Lewis search for meaning in 1939 Wednesday, 19 June 2024 Read more...
DVD/Blu-ray: Cabrini Tuesday, 04 June 2024 Read more...	Two Tickets to Greece review - the highs and lows of a holiday from hell Wednesday, 15 May 2024 Read more...
That They May Face The Rising Sun review - lyrical adaptation of John McGahern's novel Thursday, 25 April 2024 Read more...	If Only I Could Hibernate review - kids in grinding poverty in Ulaanbaatar Thursday, 18 April 2024 Read more...
The Trouble with Jessica review - the London housing market wreaks havoc on a group of friends Friday, 05 April 2024 Read more...	The Origin of Evil review - Laure Calamy stars in gripping French psychodrama Thursday, 28 March 2024 Read more...
Baltimore review - the story of Rose Dugdale and the IRA art heist Friday, 22 March 2024 Read more...	High & Low: John Galliano review - Kevin Macdonald charts the fashion designer's rise and fall Friday, 08 March 2024 Read more...
Memory review - love, dementia and truth Friday, 23 February 2024 Read more...	Blu-ray: The Eternal Daughter Sunday, 28 January 2024 Read more...
Werner Herzog: Radical Dreamer review - the visionary director's extraordinary career Friday, 19 January 2024 Read more...	DVD/Blu-Ray: Passages Sunday, 31 December 2023 Read more...

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...