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Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Album: Friendship - Love the Stranger

Thursday, 28 July 2022 Read more...

Music Reissues Weekly: The Beatles - Get Back

Sunday, 24 July 2022 Read more...

Music Reissues Weekly: Happy In Hollywood - The Productions Of Gary Usher

Sunday, 17 July 2022 Read more...

Music Reissues Weekly: Judex - Cult of Judex

Sunday, 10 July 2022 Read more...

Album: Laura Veirs - Found Light

Monday, 04 July 2022 Read more...

Music Reissues Weekly: Ferkat Al Ard - Oghneya

Sunday, 03 July 2022 Read more...

Album: Gwenno - Tresor

Thursday, 30 June 2022 Read more...

Music Reissues Weekly: Whatever You Want - Bob Crewe's 60s Soul Sounds

Sunday, 26 June 2022 Read more...

Blk Jks, Moth Club review - Johannesburg’s art-rockers are more straightforward live than on album

Thursday, 23 June 2022 Read more...

Music Reissues Weekly: Ban the Bomb - Music of the Aldermaston Anti-Nuclear Marches

Sunday, 19 June 2022 Read more...

Music Reissues Weekly: Barney Wilen - Zodiac

Sunday, 12 June 2022 Read more...

Album: Shearwater - The Great Awakening

Thursday, 09 June 2022 Read more...

Music Reissues Weekly: In A Rocking Mood - Beverley’s Rock Steady 1966-1968

Sunday, 05 June 2022 Read more...

Album: Wren Hinds - A Child's Chant for a New Millennium

Thursday, 02 June 2022 Read more...

theartsdesk in Bergen: Nattjazz, Nutshell review - Norway makes the case that musical genres are obsolete

Wednesday, 01 June 2022 Read more...

Music Reissues Weekly: John Barry - The More Things Change

Sunday, 29 May 2022 Read more...

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...