thu 19/06/2025

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Music Reissues Weekly: Maha - Orkos

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Music Reissues Weekly: Trip On Me - Soft Psych & Sunshine

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Music Reissues Weekly: Catch-A-Fire - Treasure Isle Ska, Top Ranking DJ Session

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Music Reissues Weekly: Bill Nelson's Red Noise - Art / Empire / Industry - The Complete Red Noise

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Music Reissues Weekly: The Best of Roxy Music

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Album: Marina Allen - Centrifics

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Music Reissues Weekly: The Sons of Adam - Saturday's Sons: The Complete Recordings 1964-1966

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Music Reissues Weekly: Ultravox! - Live At The Rainbow 1977

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Music Reissues Weekly: The Swinging Blue Jeans - Feelin’ Better Anthology 1963-1969

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Fleet Foxes, Islington Assembly Hall review - exceedingly alive

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Album: Ezra Furman - All of Us Flames

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Music Reissues Weekly: Lou Reed - Words & Music, May 1965

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Music Reissues Weekly: The Telstar Story, The Heinz Sessions Vol. 1

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Music Reissues Weekly: The Movers - Vol. 1 1970-1976

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Album: Raf Vilar - Clichê

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Music Reissues Weekly: The Hit Parade - Pick Of The Pops Vol.1

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latest in today

'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...