thu 19/06/2025

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Music Reissues Weekly: Tony Rivers - Move A Little Closer: The Complete Recordings 1963-1970

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Music Reissues Weekly: Loma Northern Soul

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theartsdesk Q&A: musician Susanne Sundfør - ‘Blómi is a message of hope for whoever might need it’

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Album: Susanne Sundfør - Blómi

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Music Reissues Weekly: Joe Meek And The Blue Men - I Hear A New World Sessions

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Music Reissues Weekly: Pharoah Sanders Quartet - Live at Fabrik Hamburg 1980

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Music Reissues Weekly: Too Much Sun Will Burn - The British Psychedelic Sounds Of 1967 Volume 2

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Vossa Jazz 2023 review: Norwegian festival’s 50th-anniversary edition keeps traditional music close

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Album: Josephine Foster - Domestic Sphere

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Music Reissues Weekly: McNeal and Niles - Thrust, Wilbur Niles and Thrust - Thrust Too

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Music Reissues Weekly: The Barracudas - Drop Out with the Barracudas

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Robert Forster, Lafayette review - élan, spontaneity and thoughtfulness from the former Go-Between

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Album: Cécile McLorin Salvant - Mélusine

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Music Reissues Weekly: Duffy Power - Innovations, Live at the BBC

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Music Reissues Weekly: Heavy Metal Kids - The Albums 1974-76

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Album: Fever Ray - Radical Romantics

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'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...