sun 04/05/2025

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Moses und Aron, Komische Oper Berlin, OperaVision review – complex and powerful memorial

Read more...

Sadko, Bolshoi Opera online review - medieval Russia meets reality TV

Read more...

Remembering Krzysztof Penderecki (1933-2020)

Read more...

Skelton, Rice, BBCSO, Gardner, Barbican review – romanticism’s last stand

Read more...

Gabetta, NHK SO, Järvi, RFH review - transparency and dynamism

Read more...

Blaauw, LPO, Jurowski, RFH review - Beethoven seen in '2020 Vision'

Read more...

Buniatishvili, RPO, Wigglesworth, RFH review – dark drama and controlled power

Read more...

Cargill, BBCSO, Saraste, Barbican review - less is more in Shostakovich

Read more...

Beethoven Discovery Day, Batiashvili, LSO, Rattle, Barbican review – reassessing a rarity

Read more...

Family Total Immersion: Lift Off!, BBC SO, Glassberg, Barbican review – 50th anniversary tribute to Apollo 11

Read more...

Death in Venice, Royal Opera review – expansive but intimate evocations

Read more...

theartsdesk in Warsaw: musical perspectives on culture beyond communism

Read more...

Pavlů, Prague SO, Inkinen, Cadogan Hall review - exhilarating but uneven Mahler Third

Read more...

Williams, LPO, Alsop, RFH review - sleek lines and pastoral tones

Read more...

Weinberg Focus Day, Wigmore Hall review – innocence and loss, violence and calm

Read more...

Angela Hewitt, Wigmore Hall review - a match made in heaven

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Fake, ITV1 review - be careful what you wish for

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....

theartsdesk Q&A: film director Déa Kulumbegashvili on he...

One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been...

Music Reissues Weekly: John McKay - Sixes and Sevens

Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has...

Pimpinone, Royal Opera in the Linbury Theatre review - farce...

Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by...

Krapp's Last Tape, Barbican review - playing with the l...

In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...

Formula E: Driver, Prime Video review - inside the world...

The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive sport, but also...

Die Walküre, Royal Opera review - total music drama

Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...