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Gavin Dixon

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Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Goode, LPO, Jurowski, RFH review - tender Mozart, dynamic Bruckner

Monday, 02 October 2017 Read more...

The Tallis Scholars, Phillips, Cadogan Hall review - intimacy in late Renaissance music

Saturday, 23 September 2017 Read more...

Last Night of the Proms review: Stemme, BBCSO, Oramo - international array, abundant blue and gold

Sunday, 10 September 2017 Read more...

Prom 74: Ax, Vienna Philharmonic, Tilson Thomas review - elegance without passion

Saturday, 09 September 2017 Read more...

Prom 6: Benedetti, BBC NOW, Søndergård - dazzling violin magic

Wednesday, 19 July 2017 Read more...

Katya Kabanova, Opera Holland Park review - clarity and pace in Janáček's Volga tragedy

Monday, 17 July 2017 Read more...

OAE, Christie, St John's Smith Square

Wednesday, 05 July 2017 Read more...

Die Walküre, Grange Park Opera review - imaginative and intelligent

Friday, 30 June 2017 Read more...

Ensemble InterContemporain, Wigmore Hall

Wednesday, 21 June 2017 Read more...

Britten Sinfonia, Adès, Barbican

Wednesday, 07 June 2017 Read more...

Britten Sinfonia, Adès, Milton Court

Wednesday, 31 May 2017 Read more...

LSO, Haitink, Barbican

Tuesday, 30 May 2017 Read more...

Hagen Quartet, Wigmore Hall

Monday, 01 May 2017 Read more...

Janina Fialkowska, Wigmore Hall

Thursday, 27 April 2017 Read more...

Tamestit, LSO, Roth, Barbican

Monday, 24 April 2017 Read more...

Landshamer, New York Philharmonic, Gilbert, Barbican

Saturday, 01 April 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...