wed 18/06/2025

Gary Naylor

Articles By Gary Naylor

The Birthday Party, Ustinov Studio, Theatre Royal Bath review - Pinter still packs a punch

Read more...

Fiddler on the Roof, Regent's Park Open Air Theatre review - dazzling gem of a production marks its diamond anniversary

Read more...

Frankie Goes To Bollywood, Southbank Centre review - lots of lights, but a dull show

Read more...

Next to Normal, Wyndham's Theatre review - rock musical on the trauma of mental illness

Read more...

Miss Julie, Park Theatre review - Strindberg's kitchen drama still packs a punch

Read more...

Marie Curie, Charing Cross Theatre review - like polonium, best left undiscovered

Read more...

Multiple Casualty Incident, The Yard Theatre review - NGO medics in training have problems of their own

Read more...

Spirited Away, London Coliseum review - spectacular re-imagining of beloved film

Read more...

Testmatch, Orange Tree Theatre review - Raj rage, old and new, flares in cricket dramedy

Read more...

An Actor Convalescing in Devon, Hampstead Theatre review - old school actor tells old school stories

Read more...

Spencer Jones: Making Friends, Soho Theatre review - award-winning comedian mines his post-lockdown escape to the country

Read more...

Cassie and the Lights, Southwark Playhouse review - powerful, affecting, beautifully acted tale of three sisters in care

Read more...

The Divine Mrs S, Hampstead Theatre review - Rachael Stirling shines in hit-and-miss comedy

Read more...

Foam, Finborough Theatre review - fascism and f*cking in a Gentlemen's Lavatory that proves short of gentlemen

Read more...

Cruel Intentions, The Other Palace review - uneasy vibes, hit tunes and sparkling staging

Read more...

Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevance

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...