sun 03/08/2025

Gary Naylor

Articles By Gary Naylor

The Changeling, Southwark Playhouse review - wild ride proves too bumpy to land all its points

Read more...

Othello, Riverside Studios review - three Iagos pitch Shakespeare's villain into the 21st century

Read more...

A Voyage Round My Father, Theatre Royal, Bath review - Rupert Everett excels in a play showing its age

Read more...

Imposter 22, Royal Court Theatre review - ace on representation, less so on structure

Read more...

Unbelievable, Criterion Theatre review - Derren Brown-directed show misses his otherworldly danger

Read more...

Untitled F*ck M*ss S**gon Play, Young Vic review - committed and important play let down by heavy-handed writing

Read more...

Rebecca, Charing Cross Theatre review - troubled show about a troubled house nonetheless diverts

Read more...

Infamous, Jermyn Street Theatre review - Lady Hamilton challenges the patriarchy and loses

Read more...

Makeshifts and Realities, Finborough Theatre review - Edwardian dramas with a pinch of Chekhov

Read more...

La Cage Aux Folles, Regent's Park Open Air Theatre review - 40 years on, the drag show still entertains and educates

Read more...

The SpongeBob Musical, QEH review - musical based on popular kids' animation sinks for lack of focus

Read more...

Macbeth, Shakespeare's Globe review - uneven production of intermittent power

Read more...

The Crown Jewels, Garrick Theatre review - star laden comedy fails to sparkle

Read more...

Annie Get Your Gun, Lavender Theatre review - new production in new venue has some work to do

Read more...

Modest, Kiln Theatre review - tale of Victorian would-be trailblazer fails and succeeds

Read more...

Stumped, Hampstead Theatre review - Beckett and Pinter, waiting for Doggo

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Chip Shop Pop - The Sound of Denmark...

One of the more interesting tracks on Paul Weller’s fascinating new cover versions album Find El Dorado is his interpretation of “When...

theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...