wed 18/06/2025

Gary Naylor

Articles By Gary Naylor

Second Best, Riverside Studios review - Asa Butterfield brings the magic

Read more...

Mrs President, Charing Cross Theatre review - Mary Todd Lincoln on her life alone

Read more...

Play On!, Lyric Hammersmith review - and give me excess of it!

Read more...

Cymbeline, Sam Wanamaker Playhouse review - pagan women fight the good fight

Read more...

An Interrogation, Hampstead Theatre review - police procedural based on true crime tale fails to ring true

Read more...

The Lonely Londoners, Kiln Theatre review - Windrush Generation arrive in a London full of opportunities, but not for them

Read more...

The Maids, Jermyn Street Theatre review - new broom sweeps clean in fierce revival

Read more...

Titanique, Criterion Theatre review - musical parody sinks despite super singing

Read more...

Twelfth Night, Royal Shakespeare Theatre review - comic energy dissipates in too large a space

Read more...

Natasha, Pierre & the Great Comet of 1812, Donmar Warehouse review - a blazingly original musical flashes into the West End

Read more...

Hansel and Gretel, Shakespeare's Globe review - too saccharine a retelling for our times

Read more...

The Lightning Thief: The Percy Jackson Musical, The Other Palace - all Greek to me

Read more...

All's Well That Ends Well, Sam Wanamaker Playhouse review - Shakespeare at his least likeable

Read more...

King James, Hampstead Theatre review - UK premiere drains a three-pointer

Read more...

[title of show], Southwark Playhouse review - two guys and two girls write about writing, delightfully

Read more...

Burnt Up Love, Finborough Theatre review - scorching new play

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...