sat 06/09/2025

tv

Keeping Faith, Series 3, BBC One review - is the drama turning to melodrama?

Adam Sweeting

After arriving with a bang in 2018, Keeping Faith (BBC One) disappointed many (though not all) of its fans with 2019’s second series. It’s had a bit of a breather before this third – and final – series, first seen in its Welsh version Un Bore Mercher on S4C last November. So, how is it shaping up?

Read more...

The Flight Attendant, Sky One review - first-class entertainment

Markie Robson-Scott

“I get to see all these beautiful places and look passengers right in the eye and say the word trash.” Meet Cassie Bowden (the excellent Kaley Cuoco), flight attendant on Imperial Atlantic Airways. In firm denial about her alcohol problem, she knocks back myriads of vodka miniatures onboard, parties hard in cities the world over, has one-night stands after black-out benders (“Thank you for the effort.

Read more...

Line of Duty, Series 6, BBC One review - fasten your seatbelts, it's back

Adam Sweeting

Jed Mercurio’s tangly police corruption thriller Line of Duty has become one of the jewels in the BBC’s drama crown, and this sixth (and possibly last) series has finally arrived on BBC One after a steadily growing crescendo of pre-publicity. Can it live up to the hype?

Read more...

My Father and Me, BBC Two review - Nick Broomfield's moving voyage around his family

Tom Birchenough

Nick Broomfield made his first film 50 years ago, and his career over those five decades (and some three dozen works) has been as distinctive, and distinguished as that of any British documentary maker.

Read more...

Drive to Survive, Season 3, Netflix review - the agony and the ecstasy of the 2020 F1 campaign

Adam Sweeting

The 2020 Formula One season was all set to start in Australia last March when it was derailed by the Covid emergency. The F1 organisers insisted that they’d get the racing back on track somehow, and what sounded like foolhardy bravado was justified when they successfully staged a 17-race championship between July and December.

Read more...

The One, Netflix review - the downside of scientific matchmaking

Adam Sweeting

Readers of John Marrs’s 2017 novel The One should probably look away now, since Netflix’s dramatisation of the story bears scant resemblance to the book.

Read more...

Grace, ITV review - sun, sea and skulduggery in sunny Brighton

Adam Sweeting

We last saw John Simm on ITV in 2018’s Hong Kong-based murder mystery Strangers, a product from the Jack and Harry Williams script factory which wasted its exotic backdrops with a plot which mooched about in a dispirited fashion before dozing off entirely.

Read more...

Unforgotten, Series 4, ITV review - is the familiar formula wearing thin?

Adam Sweeting

There comes a time when every successful formula can do with an overhaul, and that particular bell may be tolling for Unforgotten (ITV).

Read more...

Deutschland 89, Channel 4 review - the Wall comes down, what next?

Tom Birchenough

Joerg and Anna Winger’s gripping drama of East Germany, a loose portrait set over the final decade of that country’s existence, has reached its culmination, and this first episode of Deutschland 89 landed us right in the unpredictable maelstrom of history.

Read more...

The Terror, BBC Two review - nightmare in the Arctic wastes

Adam Sweeting

Admittedly, Antarctic explorer Captain Scott was at the other end of the earth from the protagonists of The Terror (BBC Two), but they would surely have concurred with his anguished observation: “Great God! This is an awful place.” Based on Dan Simmons’s novel, The Terror is a fictionalised account of the 1845 attempt by Sir John Franklin to find the Northwest Passage between the Atlantic and the Pacific via the Arctic Ocean.

Read more...

Pages

 

latest in today

'We are bowled over!' Thank you for your messages... ...
Deaf Republic, Royal Court review - beautiful images, shame...

The Ukraine war is not the only place of horror in the world, but it does present a challenge to theatre makers who want to respond to events that...

Album: Josh Ritter - I Believe in You, My Honeydew

Americana rocker Josh Ritter can write a beautiful song....

Laura Benanti: Nobody Cares, Underbelly Boulevard Soho revie...

Laura Benanti has been enchanting Broadway audiences for several decades now, and London has this week been let in on the secret that recently...

Waley-Cohen, Manchester Camerata, Pether, Whitworth Art Gall...

Manchester Camerata is enhancing its reputation for pioneering with three performances featuring Nick Martin’s new Violin Concerto, which it has...

The Courageous review - Ophélia Kolb excels as a single moth...

“I never abandoned you,” says Jule (Ophélia Kolb; Call My Agent!) to her 10-year-old daughter Claire (Jasmine Kalisz Saurer), setting a...

Album: David Byrne - Who is the Sky?

From his early days with Talking Heads, David Byrne has ploughed a highly individual furrow, and exploited a persona that combines naivety with...

The Paper, Sky Max review - a spinoff of the US Office worth...

Fans of the US version of The Office may wonder what happened to the assorted oddballs of Dunder Mifflin, proud creators of...

Edinburgh Psych Fest 2025 review - eclectic and experimental

Now in its third year, Edinburgh Psych Fest returned to multiple venues in the old town and the city’s southside for 2025; namely Summerhall,...