Theatre Reviews
Funny Girl, Menier Chocolate FactoryThursday, 03 December 2015
It's hard not to invoke the B word - Barbra, that is, not Brice - and I speak as one who bunked off school to catch her at a midweek matinee when Funny Girl first played London almost 50 years ago. It was standing room only at the Prince of Wales Theatre but by then she was pretty much phoning in her performance, and only the thrill of that voice (smaller than one expected but laser-intense) carried her through. Read more... |
Howard Barker Double Bill, Arcola TheatreWednesday, 02 December 2015
Two plays for the price of one. What’s not to like? Particularly when they resonate so strongly with each other on a hard, uncompromising theme. Broadly, that theme is love and war, sex and death, but more specifically, both plays home in on the truth games played by a man and a woman at critical moments of intimacy. Read more... |
Linda, Royal Court TheatreWednesday, 02 December 2015
Don’t you just love celebrity hype? Kim Cattrall’s name alone sold out this show, which runs over the notoriously difficult Christmas period. But sometimes star-casting backfires, and when she had to withdraw from the production for medical reasons, the theatre had to find a replacement. Step forward Noma Dumezweni, an Olivier-award-winning performer who’s due to make her directing debut at this venue next February. Read more... |
The Lion, the Witch and the Wardrobe, Royal Lyceum Theatre, EdinburghTuesday, 01 December 2015
Christmas has kicked off early in the Scottish capital’s theatreland, with traditional panto Snow White over at the King’s Theatre, and the Lyceum’s high-class offering – as befits the theatre’s 50th anniversary year – in the form of The Lion, the Witch and the Wardrobe. Read more... |
Here We Go, National TheatreSaturday, 28 November 2015
The great Caryl Churchill careers down a blind alley in Here We Go, and the results aren't pretty, especially within the cavernous confines of the National Theatre's Lyttelton – this writer's second play this year at that address. A 45-minute triptych about death that gets worse as it goes on, the play put me in mind of the American critic Walter Kerr's famous remark about Neil Simon not having an idea for a play but writing one anyway. Read more... |
Little Eyolf, Almeida TheatreFriday, 27 November 2015
Greek family smashups at the Almeida now yield to northern agony sagas, less bloody but potentially just as harrowing. In Little Eyolf the 66-year-old Ibsen dissected a failed marriage as ruthlessly as Euripides, Strindberg or Bergman, who was in turn influenced by both of the great Scandinavian playwrights. Read more... |
Pericles, Sam Wanamaker PlayhouseThursday, 26 November 2015
Pericles is a play of voyages. Lands and landscapes crowd in, one after the other – Tyre, Tarsus, Ephesus, Antioch, Mitylene – until our dramatic sea-legs are decidedly unsteady. The demands are great for any theatre, but for the Globe’s tiny, candle-lit Sam Wanamaker Playhouse they are impossible, freeing director Dominic Dromgoole to ignore spectacle and visual dislocation in favour of an emotionally-driven, chamber take on this late romance. Read more... |
Evening at The Talk House, National TheatreWednesday, 25 November 2015
A lot of people are going to be enraged, frustrated, or confused by Evening at The Talk House, and in the authorial world of Wallace Shawn, wasn't it ever thus? This is the playwright who gave pride of place to a softly-spoken fascist in Aunt Dan and Lemon and challenged his audience's complacency directly with The Fever, so if I say that his latest play is of a piece with his earlier ones, that is intended as high praise, indeed. Read more... |
Ben Hur, Tricycle TheatreWednesday, 25 November 2015
Hollywood took 365 speaking parts, 50,000 extras and 2,500 horses to tell this epic tale in 1959; here at the Tricycle, it’s a cast of four and some enterprising puppet work. Playwright Patrick Barlow, following up global hit The 39 Steps, has chosen a comic contrast that could hardly be equalled: redux maximus. Read more... |
The Homecoming, Trafalgar StudiosTuesday, 24 November 2015
Welcome to the hellmouth. In Jamie Lloyd’s startling 50th anniversary revival, the seething, primal hinterland of Pinter’s domestic conflict is made flesh: the metal cage surrounding an innocuous living room glows a devilish red, sulphur-like smoke belches from the ether, and snatches of Sixties music distort into horror film cacophony. Purists may carp, but it gives a long-revered play a welcome shot of adrenaline. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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