Theatre Reviews
Richard III, Almeida TheatreFriday, 17 June 2016
"I can add colours to the chameleon," Richard III remarks of himself early in his anguished, marauding ascent to the throne, and the description could equally apply to the electrifying actor, Ralph Fiennes, who is London's latest hedgehog/dog/toad/bottled spider (pick your animal imagery of choice). Read more... |
Karagula, StyxThursday, 16 June 2016
Polymath playwright Philip Ridley is endlessly inventive. Having written a couple of exciting pieces of bravura storytelling – Tender Napalm (2012) and Dark Vanilla Jungle (2014) – he went on to pen a political comedy – Radiant Vermin (recently revived at the Soho Theatre) – about the housing shortage, with three actors directly addressing the audience, and now he’s back with yet another kind of play: this time it’s a truly epic fantasy in a found space. Read more... |
Aladdin, Prince Edward TheatreThursday, 16 June 2016
If anyone harboured any doubts as to how diverse the world of musical theatre can be, this past week will surely have proved an ear and eye-opener. While Richard Taylor and David Wood's poetic take on The Go-Between pretty much threw out the rule book on musicals, Disney's stage version of their blockbuster film Aladdin dutifully returns to the first edition, which is how a successful franchise works. As the old adage goes, "if I knew the secret I'd bottle it". Read more... |
Haïm: In the Light of a Violin, The Print RoomWednesday, 15 June 2016
On the face of it, there is nothing in this tightly focused little piece that says anything new about the Holocaust. The plight of a poor Jewish boy unfortunate enough to be growing up in 1930s Poland is dismally familiar. The story of life-affirming music made in the jaws of hell – the starving ghetto, the Nazi work camp – has been amply covered on page and screen. Read more... |
Handle with Care, Urban LockerSunday, 12 June 2016
Storage space units are not a nice place to hang out. Chilly and quiet, vaguely depressing and horribly lit, they bring on a desire to leave almost immediately. The same impulse is palpable in Dante or Die’s site-specific show, Handle With Care, which attempts to inject a little life into a storage unit in Old Street, but falls horribly short. Read more... |
Phaedra(s), Odéon-Théâtre de l'Europe, BarbicanSaturday, 11 June 2016
Britten fathomed Phaedra's passion for her stepson in a shattering quarter of an hour's dramatic cantata. Euripides' Hippolytus takes about 90 minutes in the playing. Director Kryzsztof Warlikowski's fantasia on the Phaedra myth is more than twice that long, but it's worth every riveting or disconcerting minute thanks largely – but by no means exclusively – to the encyclopedic range of Isabelle Huppert. Read more... |
The Quiet House, Park TheatreSaturday, 11 June 2016
Infertility affects one in six couples, but it’s still something of a taboo subject. Gareth Farr’s new play throws welcome light on the challenges of conception, and is accompanied by a Fertility Fest that brings together artists and medical experts to address the issues raised. If Farr’s drama occasionally feels like a case study for that discussion, with a few awkward sitcom beats tossed in, it’s still a searingly honest and genuinely affecting piece of work. Read more... |
Ross, Chichester Festival TheatreFriday, 10 June 2016
Thought Terence Rattigan was a playwright of the drawing room? Think again. Read more... |
The Deep Blue Sea, National TheatreThursday, 09 June 2016
From being the Aunt Sally of contemporary British theatre, attacked by the angry young men in the 1950s and the new wave of social and political realists for three decades after that, playwright Terence Rattigan is now well and truly rehabilitated. For the past quarter of a century, both his major and his minor works have been regularly revived. Read more... |
Into the Woods, Opera North, West Yorkshire PlayhouseThursday, 09 June 2016
Opera North’s ongoing Ring isn’t taking up much of the chorus’s time, which presumably is one of the reasons that many of its members have decamped half a mile east to collaborate with the West Yorkshire Playhouse in an eye-popping new staging of Sondheim’s Into The Woods. That opera companies can and should stage Sondheim is vindicated by this production: the musical values are superb, my only niggle being that James Holmes’s excellent pit players are hidden offstage. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
'We are bowled over!' Thank you for your messages...
