Theatre Reviews
Waiting for Godot, Theatre Royal Haymarket review - humanity in high definitionTuesday, 24 September 2024
Modernism is us. Today. For the past two decades plays by Samuel Beckett and Harold Pinter – which once upon a time bewildered their audiences and gave critics apoplexy – have become big West End hits. The avant-garde is now commercial. The incomprehensible is our reality. Read more... |
The Truth About Harry Beck, London Transport Museum Cubic Theatre review - mapping the life of the London Underground map's creatorFriday, 20 September 2024
Iconic is a word the meaning of which is moving from the religious world into popular culture – win a reality TV show dressed as a teapot, and you can be sure that your 15 minutes of fame will be labelled iconic across social media. Not quite what Andrei Rublev had in mind 600 years ago. Read more... |
The Lightest Element, Hampstead Theatre review - engrossing, but fragmentaryThursday, 19 September 2024
British theatre has a proud heritage of science plays. From 1990s classics such as Tom Stoppard’s Arcadia (1993) and Michael Frayn’s Copenhagen (1998) to more recent examples such as Lucy Kirkwood’s Mosquitoes (2017) and Marek Horn’s Octopolis (2023), the trick lies in balancing intellectual material about often complex scientific subjects with dramatic flair. Read more... |
The Band Back Together, Arcola Theatre review - three is a dangerous numberMonday, 16 September 2024
We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that the person or the performance? When Ellie walks in, he leaps up like a cat on a hot tin roof, nervous as a kitten, and we know – it was the person. Read more... |
The Real Ones, Bush Theatre review - engrossing, enjoyable and quietly inspiringSaturday, 14 September 2024
Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed Akhtar, whose big hit The P Word was also performed here at the Bush, takes this idea and complicates it – by making it about a gay boy and a straight girl. Read more... |
Our Country's Good, Lyric Hammersmith review - lively but patchy revivalFriday, 13 September 2024
The latest Greatest Hit to land at the Lyric is Timberlake Wertenbaker’s 1988 award-winning play about a performance of Farquhar’s The Recruiting Officer by British convicts in a New South Wales penal colony. Read more... |
Why Am I So Single?, Garrick Theatre review - superb songs in Zeitgeist surfing showFriday, 13 September 2024
Going to the theatre can be a little like going to church. One communes on the individual level, one’s faith in the stories underpinned by a psychological connection, but also on the collective level, belief rising on a tide of shared emotions. Those complementary sensations, in an ever more individualised, screen-and-earplugs world, are rare – and an example of why people pay big bucks for Glastonbury, Taylor Swift and Oasis. Read more... |
The Silver Cord, Finborough Theatre review - Sophie Ward is compellingly repellentSaturday, 07 September 2024
One of the Finborough Theatre’s Artistic Director, Neil McPherson’s, gifts is an uncanny ability to find long-forgotten plays that work, right here, right now. He’s struck gold again with The Silver Cord, presenting its first London production for over 95 years. Read more... |
Art, Theatre Royal Bath review - Yasmina Reza's smash hit back on tour 30 years after Paris premiereFriday, 06 September 2024
For men, navigating through life whilst maintaining strong friendships is not easy (I’m sure the same can be said for women, but Yasmina Reza’s multi-award winning play, revived on its 30th anniversary, is most definitely about men). What brings blokes together – work, sports, pubs – is seldom founded on deep emotional connections, though it can be and sometimes does morph into that. Read more... |
The Real Thing, Old Vic review - Stoppard classic keeps on givingWednesday, 04 September 2024
When it was first produced in 1982, The Real Thing was a turning point for Tom Stoppard, the play that added to the existing perception of him as an immensely witty, intelligent, very theatrical crafter of dazzling conceits, albeit perhaps a little cold, as someone who could also touch people’s emotions: clever, still, but cutting to the heart. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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