New Music Reviews
Bat for Lashes, St Bartholomew’s Church, Brighton review – a heartfelt homecomingMonday, 02 December 2019
Natasha Khan is ending this intimate UK tour where her dreams first took shape. Study at the University of Brighton began 12 years in the bohemian town, and her twice Mercury-nominated, mythology-minded pop life. Read more... |
Reissue CDs Weekly: Mercury Rev - All is DreamSunday, 01 December 2019
In the liner notes to the new reissue of 2001’s All is Dream, Mercury Rev’s Jonathan Donahue says it is “a weird astral album musically, and yes the symbolism lyrically runs many layers down and deep – different coloured layers of rock, soil and ash on an archaeology dig.” Read more... |
Amon Amarth, O2 Academy Brixton review – London welcomes its new Viking overlordsSaturday, 30 November 2019
“Are you ready to do battle with us?” bellows Johan Hegg, Amon Amarth’s imposing yet cheery frontman, immediately prompting an enthusiastic roar from the packed-out Brixton crowd. “GOOOOOOD!” He’s the most genial Viking you could imagine - six-foot plus with a gigantic beard and massive hair, a drinking horn holstered on his thigh, and a huge smile plastered across his face. Read more... |
Björk, SSE Hydro, Glasgow review- Icelandic experimentalist reimagines live performanceWednesday, 27 November 2019
Grimes, the Canadian art pop performer, made headlines last week when she predicted the end of musical performance as we know it on a podcast interview with theoretical physicist Sean Carroll. Live music, she said, would be “obsolete soon”, while she gave a window of a couple of decades in which artificial intelligence would become “so much better at making art” than human creatives. Read more... |
Sam Fender, O2 Academy, Glasgow review - pop bangers with pathosWednesday, 27 November 2019
If this is what Sam Fender can provoke on a Monday night, then Lord knows the reaction he generates at a weekend. Read more... |
WH Lung, Rich Mix review - ever-intensifying motorik-bedded onslaughtTuesday, 26 November 2019
A 55-minute set without an encore. Songs bleeding into each other. No announcements, no talking from the stage. A constantly moving frontman seemingly channelling a yen to merge Merce Cunningham moves and tai-chi. A band who, barring the odd grin from one of the guitarists, focus on what they are doing without expression. An absence of “please-like-me” posturing. Read more... |
Cleveland Watkiss 60th birthday celebration, Queen Elizabeth Hall review - seismic pulse, emotive wordsMonday, 25 November 2019
Whether performing with the ground-breaking Jazz Warriors big band (which he co-founded in the 1980s) or Marque Gilmore and DJ Le Rouge in Project 23, taking the lead roles in Julian Joseph’s jazz operas Bridgetower and Shadowball, or emceeing one of the legendary Metalheadz nights at Blue Note, Hoxton Square, Cleveland Watkiss has been one of the most unfailingly creative, daringly protean artists on the UK jazz... Read more... |
Reissue CDs Weekly: Mighty Baby - At a Point Between Fate and DestinySunday, 24 November 2019
If the prices fetched by original pressings are a guide, Mighty Baby are notable. Their eponymous first album, issued by the fittingly named Head label in November 1969, sells for at least £150 and has changed hands for over £500. Read more... |
Billy Bragg, Islington Assembly Hall review - a pep talk from the progressive patriotSunday, 24 November 2019
It’s always good to be among friends and it’s safe to say that everyone gathered at Islington Assembly Hall on Saturday for the third and final North London gig of Billy Bragg’s One Step Forward, Two Steps Back Tour was left of centre. The tour began in July on the south coast, planned long before Borrissey, as Bragg calls the PM, conned the country in going to the polls but events have certainly given it a new urgency. Read more... |
The Lumineers, SSE Hydro, Glasgow review - a stomping but exhausting nightSaturday, 23 November 2019
There was something fitting about the Lumineers entrance in Glasgow. As “Gimme Shelter” blared around the SSE Hydro, lights pulsating over the crowd, it was drummer Jeremiah Fraites who took the stage and started the opening beat of “Sleep On The Floor”, an array of phones quickly whipped out to act as a welcoming committee from the crowd. The rest of the band followed in due course, but this is a group for whom the drums are at the heart of their stomping songs, no matter what. Read more... |
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