New Music Reviews
Sergio Mendes, RFH review - tight discipline, exceptional musicianshipTuesday, 07 May 2019
The last time Sergio Mendes, the Brazilian bossa nova legend, played at the Royal Festival Hall was in 1980 when he opened for Frank Sinatra. Read more...
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Rokia Traoré: Né So, Brighton Festival review - an Afro-psychedelic head-fryMonday, 06 May 2019
The last thing many were expecting from Rokia Traoré’s opening appearance at this year’s Brighton Festival was an Afro-psychedelic head-fry, yet she and her four-piece band prove thoroughly capable of swirling our minds right off out of it. When she returns at the end of the concert and announces she’s going to play one last song. A voice shouts out, “Make it a long one!” Happily, it is. Read more... |
Olly Murs, SSE Hydro, Glasgow - a little cheesy, a little laddish, but sincerely entertainingMonday, 06 May 2019
In an alternate timeline, Olly Murs - runner-up on a TV talent show a full decade ago - would have faded into obscurity by now. This, as the relentlessly charming performer on stage delights in reminding us, is not that timeline. Read more... |
Reissue CDs Weekly: Bill Evans - Evans in EnglandSunday, 05 May 2019
The Bill Evans Trio played London’s Ronnie Scott’s from 1 to 27 December 1969 as a co-billing with Blossom Dearie. The season would have remained less than a footnote if it were not for a French fan identified only as ”Jo” in Evans in England’s booklet. Read more... |
Jazz FM Awards 2019 - young guard triumphsThursday, 02 May 2019
Hosted by Jazz FM presenters Chris Philips and Jez Nelson, and taking place in the historic surroundings of Shoreditch Town Hall, this sixth edition of the Jazz FM Awards celebrated the dynamism, passion and vitality of the UK’s young jazz scene, with SEED Ensemble leader Cassie Kinoshi picking up Breakthrough Act of the Year, rising jazz singer Cherise Adams-Burnett receiving Vocalist of the Year, and the... Read more... |
CD: Vampire Weekend - Father of the BrideWednesday, 01 May 2019
Three albums in, and Vampire Weekend were due a shake-up. Enter Father of the Bride, by far their most ambitious record to date. It’s an 18-track behemoth featuring 14 musicians and six different producers, spanning from folk to jazz. It may be a bit kitchen sink, but it’s also their most exciting release since their eponymous debut. Read more... |
Test Dept, Studio 9294 review - still furious after all these yearsMonday, 29 April 2019
Back in the early Eighties, Test Dept were the most radical musical force in London. Their live sound, never truly captured in its intensity on a series of early cassette recordings, built out of tape cut-ups and pulverising rhythms on salvaged metal objects, could be awe-inspiring. Read more... |
Reissue CDs Weekly: CrassSunday, 28 April 2019
Abbey Road Studios and the anarcho-punk legends Crass seem an unlikely pairing. The new, vinyl-only reissues of The Feeding of the Five Thousand (The Second Sitting), Stations of the Crass and Best Before 1984 each bear a sticker saying “Remastered by Alex Gordon at Abbey Road Studios, as close as possible to the sound of the original Read more... |
Hall & Oates, Wembley SSE Arena review - bestselling duo still have the powerSaturday, 27 April 2019
Never quite the household names in Britain that they were in their native USA, Daryl Hall and John Oates can nonetheless claim to be the best-selling duo in the history of popular music. With 40 million records sold, six US chart-topping singles and a heap of gold and platinum albums, they come out ahead even of such luminaries as Simon & Garfunkel or the Everly Brothers. Read more... |
Nouvelle Vague, Islington Assembly Hall review - the dreamy bossa nova collective returnThursday, 25 April 2019
When you’re off to Islington’s beautiful Assembly Hall for an evening of slinky French bossa nova, it’s something of a surprise to find the Gallic groovers preceded by a droll Brummie singer who brings to mind a cross between Billy Bragg and Richard Hawley. Read more... |
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