sat 16/08/2025

New Music Reviews

Mariah Carey, Royal Albert Hall review – fervent worshippers in Mariah-heaven

Sebastian Scotney

The sheer scale of the Mariah Carey phenomenon is truly astounding. Since the release of her first album in 1990, she has now clocked up worldwide album sales of over 200 million, and had 18 US Number One singles. Also – and far less frequently mentioned – she is actually third in the list of songwriters with the most chart-topping singles, and sixth in the list of producers.

Read more...

The Strokes, All Points East Festival review - let them entertain you

Chris Harvey

Back in 2001, after the release of their debut album This Is It, The Strokes weren’t just the most fashionable band in the world, they were also regarded as the group that could “save rock”. That was asking quite a lot.

Read more...

Reissue CDs Weekly: Bernard Herrmann

Kieron Tyler

Debates about whether 1964’s Marnie presaged Alfred Hitchcock’s downslide as a force will run and run.

Read more...

Noel Gallagher's High Flying Birds, Cardiff Castle review - wonder within castle walls

Owen Richards

Blessed with a red sunset and an adoring crowd, Noel Gallagher brought life to the ruins of Cardiff Castle. With support from fellow 90s alumnus Gaz Coombes, and Wales’s next-gen prodigies Boy Azooga and Buzzard Buzzard Buzzard, the evening provided a winning mini-festival affair.

Read more...

Spice Girls, Croke Park, Dublin review - uncomplicated fun

Veronica Lee

They’re back and they’re looking and sounding good – and Spice Girls mania took over Dublin’s city centre for several hours before their concert yesterday. Hotels were booked out, every other woman I passed in the street was wearing a Spice Girls T-shirt or hat, and by mid-afternoon the whole city appeared to be moving as one towards Croke Park. 

Read more...

The Waterboys, Roundhouse review - energetic delights

Liz Thomson

Was it imagination or did The Waterboys’ audience at London’s Roundhouse, invited to sing along to “The Nearest Thing to Hip”, really sing extra-loud and lustily on the line “in this shithole”?

Read more...

Oh Sees, Tramshed, Cardiff review - breakneck wig outs

Owen Richards

Oh Sees have long been touted of as the perfect festival band. Their racuous, high-tempo rock'n'roll always riles up the drunken swathes, even if no-one recognises the song. However, going to a headline show is a different prospect - these swathes are the loyalists, not ready to accept anything less than carnage.

Read more...

Rokia Traoré: Dream Mandé: Djata, Brighton Festival 2019 review – resonant griot wisdom

Nick Hasted

Rokia Traoré’s passage through this year’s Brighton Festival has been central, binding it to her Malian identity in a series of gigs. This hands-on Guest Director’s pulsing Afro-rock Opening Night was followed by the first Dream Mandé show’s recasting of traditional sounds. A Malian Dance Night added FGM protest, Seventies s.f.-soundtracked myth and cheeky wit from young choreographers.

Read more...

Mark Knopfler, Royal Albert Hall review - the Sultan's return

Liz Thomson

Prufrock might have measured his life in coffee spoons but for many of us it’s rock albums, the money to buy them way back when scrabbled together from Saturday jobs and student grants  –  remember them?

Read more...

Primal Scream, The Haunt, Brighton review - up-close, short, raucous and sweaty

Thomas H Green

Primal Scream have played in this city, in the recent past, at the 4,500 capacity Brighton Centre but tonight they’re in a venue which holds well under 400. A bananas atmosphere reigns when bands of their stature play intimate shows, and so it is tonight.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Edinburgh Fringe 2025 reviews: Ordinary Decent Criminal / In...

Ordinary Decent Criminal, Summerhall ...

Edinburgh Fringe 2025 reviews - Emmanuel Sonubi / Joz Norris

Emmanuel Sonubi, Pleasance Courtyard ...

Album: Dinosaur Pile-Up - I've Felt Better

The history of popular music is littered with bands who...

Alien: Earth, Disney+ review - was this interstellar journey...

Ridley Scott’s original Alien movie from 1979 was an all-time sci-fi/horror classic, and even an endless stream of sequels and spin-offs...

Unmoored review - atmospheric Swedish noir set on Exmoor

“When have you ever gone off alone?” scoffs Magnus (Thomas W Gabrielsson) when his wife, Maria (Mirja Turestedt), expresses the wish to go to...

Edinburgh Fringe 2025 reviews: Kinder / Shunga Alert / Clean...

Kinder, Underbelly, Cowgate ★...

Album: Tom Grennan - Everywhere I Went Led Me To Where I Did...

Who’d have guessed that a dude who first came to attention a decade ago guesting on a cheesy Chase & Status drum & bass track would likely...

The Two Gentlemen of Verona, RSC, Stratford review - not qui...

I have two guilty secrets about the theatre – okay, two I’m prepared to own up to right here, right now. I quite enjoy some...

Orpheus and Eurydice, Opera Queensland/SCO, Edinburgh Intern...

There’s a lot to shout about in this Orpheus, especially the way it looks. In a thin year for staged opera at the Edinburgh International...