Film Reviews
28 Years Later review - an unsentimental, undead educationSaturday, 21 June 2025
The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012 Olympics have offered rich material for a franchise about deserted cities, rampaging viruses, hard quarantines and an insular, afraid country hacked adrift from Europe. Read more... |
Red Path review - the dead know everythingFriday, 20 June 2025
Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the head of his teenage cousin after the cousin is executed by jihadists. But see the film you really should. |
Tornado review - samurai swordswoman takes Scotland by stormSaturday, 14 June 2025
The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest and across burnt-orange fields. As her pursuers, a rough-looking band of thieves, draw nearer, she seeks refuge in a seemingly deserted mansion. Where are we? When are we? Read more... |
Lollipop review - a family torn apartSaturday, 14 June 2025
On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in a shark-infested swimming pool teeming with naval mines. Read more... |
Jane Austen Wrecked My Life review - persuading us that the French can do you-know-whoFriday, 13 June 2025
Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the decades. As we brave the salutes on this side of the Channel to arch irony-spinner Jane Austen’s 250th birth-year – from gushing BBC documentaries to actually quite witty Hallmark cable movies – France offers up Jane Austen Wrecked My Life, a cordial, low-energy rom com that sets out to Austenify the lovelorn of Paris. |
Big Star: The Nick Skelton Story review - the ways of a man with his mountSunday, 08 June 2025
If you’re horse mad or merely an every-four-years Olympic fan, you already know Nick Skelton’s story. Equestrianism can favour mature competitors, but Skelton was twice the age of his rivals. He'd survived numerous injuries – including a broken neck – by the time he propelled Britain to showjumping gold in 2012. Fifty-four at the London games, he wasn’t done. Both he and his horse Big Star returned to the Olympics four years later to win the individual gold medal. Read more... |
Ballerina review - hollow pointFriday, 06 June 2025
John Wick’s simple story of a man and his dog became a bonkers, baroque franchise in record time, converting Keanu Reeves’ limited acting into Zen killer cool. Now Ana de Armas extends her delightful No Time to Die cameo as a high-kicking, cocktail-dressed MI6 agent into her own heroic assassin. Read more... |
Goebbels and the Führer review - behind the scenes from the Nazi perpetrators' perspectiveThursday, 05 June 2025
“Do you know the name of the propaganda minister of England, or America, or even Stalin? No. But Joseph Goebbels? Everyone knows him.” The cynical, grinning Dr Goebbels (Robert Stadlober), perhaps the first master of fake news, is not short on confidence. Read more... |
The Ballad of Wallis Island review - the healing power of the old songsSunday, 01 June 2025
I think The Ballad of Wallis Island is the best British romcom since I Know Where I’m Going! (1945), which it closely resembles. Read more... |
The Salt Path review - the transformative power of natureSaturday, 31 May 2025
“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by his wife Ray (Gillian Anderson). And this is only the second day of their 630-mile walk, split into two summers, along the south-west coastal path from Minehead to South Haven Point. Read more... |
Bogancloch review - every frame a work of artSaturday, 31 May 2025
Director Ben Rivers is primarily an artist, and it shows. Every frame of Bogancloch is treated as a work of art and the viewer is given ample time to relish the beauty of the framing, lighting and composition. Many of the shots fall into traditional categories such as still life, landscape and portraiture and would work equally well as photographs. Read more... |
When the Light Breaks review - only lovers left aliveTuesday, 27 May 2025
Grief takes unexpected turns over the course of a long Icelandic day in Rúnar Rúnarsson’s romantic tragedy, a Prix Un Certain Regard contender at last year’s Cannes. Read more... |
Mongrel review - deeply empathetic filmmaking from TaiwanSaturday, 24 May 2025
There is a dark, spectral quality to this compassionate film about Southeast Asian migrant workers in rural Taiwan. At the centre of this story is Oom, played with quiet stoicism by Wanlop Rungkumjad, who is one of many Thai, Cambodian and Myanmar nationals who have entered Taiwan illegally to find care work in its remote mountainous regions. Read more... |
The Phoenician Scheme review - further adventures in the idiosyncratic world of Wes AndersonFriday, 23 May 2025
It’s not what he says, it’s the way he says it. Few filmmakers have bent the term “auteur” to their own ends more boldly than Wes Anderson, whose arresting visual style, oblique wit and skill in picking actors who can mould themselves to the unique demands of Wes-world is surely unequalled. Read more... |
Mission: Impossible - The Final Reckoning review - can this really be the end for Ethan Hunt?Thursday, 22 May 2025
Whether it is or isn’t the final Mission: Impossible film, there’s a distinct fin-de-siècle feel about this eighth instalment, and not only because of its title. An early scene brings a nostalgic recap of highlights from the series’ history (which stretches back to 1996), with a voice-over from Angela Bassett’s President Sloane (pictured below) pleading with Ethan Hunt to return to save the world one more time. Read more... |
Magic Farm review - numpties from the NinetiesSaturday, 17 May 2025
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater” when she was growing up in the 1990s. The phrase brings the half-forgotten world of Generation X back to us from the mists of time, with its slackers and Douglas Coupland books and mumbling evasions. Read more... |
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