Classical Reviews
Sheku Kanneh-Mason, Czech Philharmonic, Bychkov, Barbican review - from Russia, with tough loveSaturday, 08 March 2025
Exactly half a century ago, Semyon Bychkov fled the USSR for the United States as he sought to swap tyranny for liberty. Last night, in a world that feels utterly different yet even more terrifying, the great conductor turned the stellar talents of his Czech Philharmonic Orchestra to the music of Dmitri Shostakovich: both a victim, and a troubled celebrant, of the searing Soviet history he endured. Read more... |
Mahan Esfahani, Wigmore Hall review - shimmering poise and radical brillianceSaturday, 01 March 2025
To watch Mahan Esfahani play the harpsichord is to watch a philosopher at work. While there’s often playfulness and shimmering levity you can feel the thought behind each note. The Iranian-American’s passion for the harpsichord began when he was nine – the moment he heard it on a cassette his uncle gave to him when he was visiting Iran, he knew he wanted to spend his life devoted to the instrument. Read more... |
Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review - new concerto and music of triumphFriday, 28 February 2025
A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish composer who had to leave her native land in the 1930s and whose work has remained almost unknown until quite recently. Raphaela Gromes has championed this concerto, giving its German premiere last year, and she brought it to Britain with the Hallé and Alpesh Chauhan (main picture). Read more... |
Helen Charlston, Sholto Kynoch, Temple Church review - fine singing, powerful stage presenceThursday, 27 February 2025
Mezzo-soprano Helen Charlston just gets better and better, both as singer and as actor. Last night’s recital at Temple Church had an unusual and wide-ranging programme – consisting of a first half hopping through the centuries, followed by a complete performance of Schumann’s “Kerner-Lieder” cycle. Read more... |
Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten and bombastic BrahmsThursday, 27 February 2025
Last night was the first time I had heard the 12 Ensemble, a string group currently Artist-in-Residence at the Wigmore Hall, and I was very impressed, both by the standard of the playing and the enterprising programming. This gave regular audience-members a little of what they’re used to (a chunk of Brahms) and a decent portion of what they’re not. Read more... |
Argerich, Oxford Philharmonic Orchestra, Papadopoulos, Barbican review - the great pianist as life and soulTuesday, 25 February 2025
At the age of 83, Martha Argerich contains more personality in her little finger than many people do in their entire bodies. Read more... |
Jessica Duchen: Myra Hess - National Treasure review - well-told life of a pioneering musicianTuesday, 25 February 2025
Myra Hess was one of the most important figures in British cultural life in the mid-20th century: the pre-eminent pianist of her generation and accorded “national treasure” status as a result of the wartime lunchtime concert series at London’s National Gallery, which she singlehandedly masterminded through 1,698 concerts between 1939 and 1946. Read more... |
Chamayou, BBC Philharmonic, Morlot, Bridgewater Hall, Manchester review - blasts of Boulez, magical RavelMonday, 24 February 2025
The second of the Philharmonic’s Boulez-Ravel celebrations (birth centenary of the former, 150th of the latter) brought Bertrand Chamayou back: after his performance of the G major piano concerto in January, this time it was as soloist in the Concerto for the Left Hand, with Ludovic Morlot on the podium. Read more... |
Bach's Mass in B minor, The English Concert, Bezuidenhout, St Martin-in-the-Fields review - solemnity and splendourFriday, 21 February 2025
If not quite his last will and testament, the work now known as Bach’s Mass in B Minor represents a definitive show-reel or sample-book of the Leipzig cantor’s choral and orchestral art. Its complex patchwork of manuscripts dating from different decades only came together for a full public performance in 1859: the year in which Wagner completed Tristan und Isolde. Read more... |
Sidorova, Philharmonia, Alsop, Royal Festival Hall review - ladies of the danceSaturday, 15 February 2025
George Gershwin called one of his early classic songs, first created by Fred and Adele Astaire, “Fascinating Rhythm”. It was that mesmeric pull that propelled last night’s Royal Festival Hall Concert from the Philharmonia and its principal guest conductor, Marin Alsop. Read more... |
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