Classical Reviews
Song of Songs, Pam Tanowitz/David Lang, Barbican Theatre review - sublime music and intricate dance bring life to a 2,000-year-old love poemMonday, 16 October 2023
On the whole the Bible is not big on sex and sensuality, with the exception of one very short book in the Old Testament. The Song of Solomon – aka Song of Songs – is a hymn to carnal pleasure, one whose vivid descriptions of perfect flesh and brimming wine flagons have divided religious scholars for centuries. Read more... |
Bach B Minor Mass, SCO & Chorus, Egarr, Usher Hall, Edinburgh - smiling faces all roundSaturday, 14 October 2023
As any good choral singer knows, you can’t deliver too emphatic a “k” for the opening Kyrie Eleison of any one of thousands of Mass settings. Well, almost. The Scottish Chamber Orchestra Chorus produced such a distinct, detached, and powerful opening consonant for this performance of Bach’s B minor Mass that it seemed to bounce several times round the auditorium before being enveloped by the great tide of chromaticism that characterises this magisterial movement. Read more... |
Songs of Wars I Have Seen, RSNO, Dunedin Consort, Slorach, Queen's Hall, Edinburgh review - moving portrayal of wartime diariesFriday, 13 October 2023
Songs of Wars I Have Seen is an hour-long through=composed work by contemporary German composer Heiner Goebbels which combines the music of 17th century composer Matthew Locke, the text from the wartime diaries of American Jewish writer Gertude Stein and Goebbels’s own ingenious musical and dramatic ideas. Read more... |
Kopatchinskaja, LSO, Pappano, Barbican review - dancing on the volcanoMonday, 09 October 2023
Poetry came an honourable second to sharp rhythms and lurid definition in this choreographic poem of a concert. You don’t get more tumultuous applause after an opener than with Ravel’s La Valse played like this. Vienna may have nearly collapsed after World War One, but the Scheherazade of Fazil Say’s 1001 Nights Violin Concerto lives to see a bright dawn, and Rachmaninov cries “Alliluya’ to whirling demons in his swansong Symphonic Dances. Read more... |
Kim, BBC Philharmonic, Gernon, Bridgewater Hall, Manchester review - the sound of brassMonday, 09 October 2023
Ben Gernon’s relationship with the BBC Philharmonic has been a richly rewarding one over the close-on seven years since his appointment as their principal guest conductor began, and indeed subsequently. Read more... |
Skride, National Symphony Orchestra, Matheuz, National Concert Hall, Dublin - musical philosophies soarMonday, 09 October 2023
Promising on paper, dazzling in practice: with a superlative soloist and conductor, this programme just soared on wings of philosophy-into-music. The spotlighting of NSO co-leader Elaine Clark provided another thread, from the opening chant of Linda Buckley‘s Fall Approaches through the keen dialogues with collegial Baiba Skride in Bernstein’s dazzling Serenade to the Viennese-waltz Dance Song of Strauss’s Also sprach Zarathustra. Read more... |
Roomful of Teeth, Milton Court review - mellifluous minimalism with a mild mannerSunday, 08 October 2023
If there’s a better name for a vocal group than Roomful of Teeth I have yet to come across it. But if it conjures up images of brash, in-your-face showbiz the reality couldn’t be more different. Read more... |
Degun, Scottish Ensemble, Queen's Hall, Edinburgh review - fusion of east and west, ancient and modernSaturday, 07 October 2023
In a fusion of musical traditions both eastern and western, old and new, Scottish Ensemble were joined by virtuoso sitarist and composer Jasdeep Singh Degun for an evocative performance of Degun’s own work plus reimagined music by Terry Riley and Hildegard von Bingen at Edinburgh’s Queen’s Hall. Read more... |
Ruisi, Hallé, Elder, Bridgewater Hall, Manchester review - returning to Ravel’s gloriesFriday, 06 October 2023
Continuing the retrospective aspect of his final season as music director of the Hallé, Sir Mark Elder returned last night to Ravel’s Daphnis et Chloé, the work with which he opened the orchestra’s 2014-15 Manchester series to such memorable effect. Read more... |
Hewitt, Basel Chamber Orchestra, Bard, Bridgewater Hall, Manchester review - 22 extraordinary musiciansTuesday, 03 October 2023
The Basel Chamber Orchestra’s 21 string players on tour are an extraordinary set of musicians. Not only did they begin their programme in Manchester with Vaughan Williams’ Fantasia on a Theme by Thomas Tallis, requiring at times one-to-a-part playing to accomplish its multi-voice textures, but eight of them put down their instruments and transformed into a choir for the piece that followed. Read more... |
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