tue 08/07/2025

Classical Reviews

BBC Proms: Havergal Brian's 'Gothic' Symphony, BBC Concert Orchestra, BBCNOW, Brabbins

David Nice

From Middle-earth, middle England and Nibelheim they came, adventurers anxious to acclaim an Unjustly Neglected British Masterpiece. Praise, or curse, their persistence in steering the BBC and the Albert Hall back to Havergal Brian's biggest work after 31 years; hail by all means conductor Martyn Brabbins's flexible command of nine choirs and two orchestras.

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First Night of the 2011 Proms

David Nice

Here we are again. Marvel as you enter at the aptly gaudy lighting of Albert's colosseum, but know that unless your place is with the Prommers towards the front of the arena, the musicians will often sound as if they're in another galaxy - maybe one hinted at in the George Herbert words, if hardly the Judith Weir music, of the opening BBC commission, Stars, Night, Music and Light.

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Classical CDs Weekly: Beethoven, Liszt, Sibelius

graham Rickson Osmo Vänskä's accounts of Sibelius's published symphonies are regarded by many as definitive

This week’s reviews include a generous Liszt anthology played by one of the 20th century’s most fondly remembered pianists. There’s a reissued box of Beethoven symphonies performed on modern instruments by one of the classiest European orchestras. Heading further north, we've a repackaged set of Sibelius symphonies with some essential extras.

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Nash Ensemble, Drapers' Hall, City of London Festival

David Nice

It takes a lot to humanise the hideous late-Victorian glitter of Drapers' Hall, but the City of London Festival's latest cornucopia knew how. Ornithologist-composer David Lumsdaine's soundscape greeted us with Australian birds fluttering invisibly around Corinthian gilt. Then it was down to business with the Nash Ensemble's small band of personable generals. They gave us high-toned Grieg and Dvořák, cheerful homespun songs with sophisticated twists by Grainger, Vaughan Williams and Delius to...

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Classical CDs Weekly: Dvořák, Rózsa, Xenakis

graham Rickson Roger Woodward: Undaunted by Xenakis

An unreleased live recording from a much missed conductor provides heartwarming food for the soul, while another podium giant brings musicality to uncompromising Modernism, aided by a phenomenal pianist. Meanwhile, a Hungarian exile in Hollywood takes a break from composing film scores and thinks of home.

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Le Cercle de L'Harmonie, Rhorer, Barbican Hall

alexandra Coghlan Jeremie Rhorer: A fine musical pedigree but a lacklustre performance

While we are far from lacking in top early music ensembles in the UK, there’s no denying that the French have a special affinity for this repertoire. While The Academy of Ancient Music and The Orchestra of the Age of Enlightenment are virtuosic champions of the genre, if we were all stuck in a sinking hot air balloon I’d lose both before sacrificing Les Musiciens du Louvre, Les Talens Lyriques, Le Concert d'Astrée or Les Arts Florissants. So it was with anticipation that I made my way to the...

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Elisabeth Leonskaja, Wigmore Hall

David Nice

Profound experience of 2010? For me, unquestionably, portions of the great Russian pianist Elisabeth Leonskaja's first-time journey through all the Schubert sonatas at the Verbier Festival. I was lucky to catch three out of nine recitals, and to talk to her about Schubert. I'd have been happy to listen again to any of those extraordinary works - all 19 are loveably idiosyncratic - in London. But this was a strand of unusual radiance I hadn't caught at Verbier embracing, as ever, Schubert's...

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Colin Currie, Pierre-Laurent Aimard, CBSO, BCMG, Oliver Knussen, Aldeburgh Festival

Igor Toronyi-Lalic

Yesterday afternoon's final concert at the Aldeburgh Festival saw an astonishing world premiere. A major new double concerto from a 102-year-old Elliott Carter. Imagine Schubert premiering a song cycle in 1900, or Van Gogh unveiling a self-portrait in 1956. Gob-smacking stuff.
 

So what sort of music does a man born before Benjamin Britten have to offer 2011? Music of an amazingly energetic bent, it transpires.

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Joanna MacGregor, Wigmore Hall/ Sol Picó, Sadler's Wells Theatre

Ismene Brown Joanna MacGregor: She turned Bach and Shostakovich into something like electronic piano music

The two-course evening out is made possible by the Wigmore Hall’s late Friday-night concerts, so if you get out of a central-London show - or dinner - by, say, 9.30, you can add a second layer of entertainment at 10. In my case, a ferociously poor hour spent at contemporary dance in Sadler’s Wells was offset by an hour with Joanna MacGregor in a stimulating splicing of Bach and Shostakovich piano music that at least offered something to think about, if not ultimate satisfaction. Evening...

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Light Fantastic, BBCSO, Wilson, Royal Festival Hall/BBC Radio 3

David Nice John Wilson: Taking light music to the highest level

If Eric Coates’s Knightsbridge March is good enough for Gergiev, who conducted it as a saving-grace encore of a very messy World Orchestra for Peace Prom in 2005 (17 orchestral leaders in the first violins, not a happy gambit), then it’s certainly worth the time of the BBC Symphony Orchestra and one of its biggest sound-shapers. Bright spark...

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