Classical Reviews
Bach Marathon, Royal Albert Hall/ Nick van Bloss, Institut FrancaisTuesday, 02 April 2013
Bach for breakfast, lunch and supper. That in essence was what yesterday's Bach Marathon was about. You can do that with Bach - have him flowing from the taps. Nothing new in this for those of us who experienced the Bach Christmas a few years back on Radio Three, when every note was piped over the airwaves for breakfast, lunch and supper for 10 days solid. Nothing very marathon-like about any of it, though, either. Read more... |
Bach St John Passion, Academy of Ancient Music, Egarr, Barbican HallSaturday, 30 March 2013
A Leipzig church is surely the place we’d most like to be for Bach on Good Friday. Never mind: the Barbican Hall is kinder to the best period instrument ensembles than it is to big symphony orchestras. Better still, having sat stunned and weepy for a good few minutes at the end of this performance, I’m happy to evangelise and proclaim that no better team could be assembled anywhere for the original 1724 version of this world-changing musical Passion. Read more... |
Classical CDs Weekly: Britten, Billy Mayerl, ProkofievSaturday, 30 March 2013
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BBC Concert Orchestra, Nu Civilisation Orchestra, Lockhart, Queen Elizabeth HallMonday, 25 March 2013
Any conductor who ends a concert with only one leg on the ground, as if engaged in the Highland fling, is either a little fanciful or has been utterly carried away. In Keith Lockhart’s case last night, it was probably a bit of both. No-one can take charge of Duke Ellington’s big band tone poem Harlem by impersonating a lamp-post, especially at its roaring end, the epitome of jubilation in sound. Read more... |
Los Angeles Philharmonic, Dudamel, Barbican HallMonday, 18 March 2013
Zipangu. What a name for a piece of music. Such a strange and suggestive collection of vowels and consonants. Such a musical string of sounds. A fascinating name. The name, in fact, the programme told me, for Japan during the time of Marco Polo. The life of the composer of the work, Claude Vivier, is fascinating, too, in a grisly way. While completing an opera about a young man who stabs a stranger to death, Vivier was murdered in his Paris flat by a rent boy. Read more... |
The Gospel According to the Other Mary, Los Angeles Philharmonic, Dudamel, Barbican HallSunday, 17 March 2013
“I do not believe in miracles,” scoffs Herodias in Oscar Wilde’s - and Richard Strauss’s - Salome. “I have seen too many.” I know how she feels. Read more... |
Pereira, LA Phil New Music Group, Dudamel, Adams, Barbican HallFriday, 15 March 2013
For finding new popes as much as for hunting down new music, looking to the ends of the earth seems a fruitful route to take. Last night saw the start of the Los Angeles Philharmonic's Barbican residency with their principal conductor, Gustavo Dudamel. And with them, they brought the latest music from the Pacific rim, all of it quite surprising. Read more... |
BBC Philharmonic, Gruber, Bridgewater Hall, ManchesterThursday, 14 March 2013
What Manchester has today, Vienna will have tomorrow. The BBC Phil’s composer/conductor HK “Nali” Gruber is taking his musicians and singers back home to the Wiener Konzerthaus to reprise this concert next week. You can’t fault it for variety – Stravinsky, Britten and MacMillan, Gruber’s predecessor as composer/conductor here. But the main thrust is celebrating Stravinsky. It is the centenary of The Rite of Spring. Read more... |
Classical CDs Weekly: Bach, Turina, Eleni KaraindrouSaturday, 09 March 2013
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Mørk, Philharmonia Orchestra, Salonen, Royal Festival HallFriday, 08 March 2013
Curious and curiouser. Lutosławski’s Cello Concerto, centrepiece of Esa-Pekka Salonen’s latest Philharmonia concert celebrating the Polish master’s centenary, adds ballast to the idea that the composer, like Schoenberg and Tippett, burrowed into a specially comfortless rabbit warren in his later works. On the other hand his Concerto for Orchestra, begun two decades earlier in 1950, proved its mettle as a serious audience-pleaser. Read more... |
Britten: Billy Budd John Mark Ainsley, Jacques Imbraillo, Matthew Rose, Philip Ens, Glyndebourne Chorus, London Philharmonic Orchestra/Sir Mark Elder (Glyndebourne)
Bach: Harpsichord Concertos Retrospect Ensemble/Matthew Halls (harpsichord and director) (Linn)Pages
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