thu 11/09/2025

Classical Reviews

Sherratt, Hallé, Znaider, Bridgewater Hall, Manchester

philip Radcliffe

It’s all about the voice – Strauss’s Voice, which is the title of the series of concerts being given by the musical forces of Manchester to mark the 150th anniversary of his birth. It is becoming a happy custom these days for the Hallé, the BBC Philharmonic, the Manchester Camerata, the Royal Northern College of Music and Bridgewater Hall to collaborate on the big occasions.

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BBC Symphony Orchestra, Oramo, Barbican

David Nice

Now this is what I call an orchestra showing off: you unleash four of your horns on the most insanely difficult yet joyous of sinfoniettas for accompanied horn quartet, Schumann’s Konzertstück, and later let the other four light the brightest of candles on the enormous, rainbow-dyed cake of Beethoven’s Eroica Symphony. How they battled it out between them for who did what I can't imagine, but both groups covered themselves with glory.

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Christian Zacharias, Wigmore Hall

Sebastian Scotney

It's a considerable irony that a musician as dedicated and as serious as pianist/conductor Christian Zacharias should suddenly, at the age of 63, gain bragging rights on Youtube (see next page). There wasn't really that much he could do about it. It happened last October. A mobile phone went off as he was directing a Haydn concerto from the keyboard in Sweden. You can see his silent but intense frustration as he stops playing. “Don't answer,” he says.

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Landes, Aurora Orchestra, Collon, Kings Place

David Nice

May this be a New Year sign and a symbol of a revitalized concert scene to come: an eclectic programme of dazzling range to draw in the new pick-and-mix generation, full of segues that worked and executed with the right balance of poetry and in-your-face exuberance by a crack team of young players.

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National Youth Orchestra of Great Britain, Daniel, Leeds Town Hall

graham Rickson

Middle-period Mahler can be hair-raising enough under normal circumstances. In this performance of the Fifth Symphony, the angst and intensity dials had been turned up to 11. Every orchestral colour shone with greater intensity, and each change in dynamics registered with piercing clarity. Which could only mean that this year's freshly reconstituted National Youth Orchestra of Great Britain were giving their first concert of the season.

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Classical CDs Weekly: Ramon Humet, Mozart, Ronald Stevenson

graham Rickson


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Sonia Prina, Wigmore Hall

David Benedict

The great Marilyn Horne used to joke that she was going to release an album entitled “Chestnuts for Chest Nuts”. She never did, but that leaves the door wide open for Sonia Prina whose dark, thrillingly low sound marks her out as the real deal, a genuine contralto. But the excitement of Prina in performance isn’t just about her extraordinary skill at using her unusual range.

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Vadim Gluzman, Angela Yoffe, Wigmore Hall

David Nice

There were two strong reasons, I reckoned, for struggling to the Wigmore Hall during the interstitial last week of the year. One was an ascetic wish to be harrowed by a mind and soul of winter, both within and without, in Prokofiev’s towering D minor Violin Sonata, after so much Christmas sweetness and light.

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Classical and Opera 2013: A Year of Anniversaries

David Nice

Which musical calendar year isn’t laden down with composer commemorations, too often a pretext for lazy and unimaginative planning? The last 12 months, with Verdi, Wagner and Britten as the birthday boys (in case you failed to hear), have raised the stakes.

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Christmas Oratorio, Trinity College Choir, OAE, Layton, St John's Smith Square

David Nice

Not every Yuletide fixture need be commercial and routine. Certainly St John’s annual Christmas Festival packs them in, but why wouldn’t it when the voices for the last two events, backed up by no less than the Orchestra of the Age of Enlightenment, are the best you could possibly find for the great monuments of Handel and Bach?

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