Classical Reviews
BCMG, Galbreath, Adrian Boult Hall BirminghamSunday, 22 May 2016
So this is the end of the Adrian Boult Hall, due to be demolished in a matter of weeks. And to be honest, all but the most nostalgic of Birmingham concertgoers will find it hard to mourn. It’s no architectural masterpiece – nothing like John Madin’s superb Central Library, one of Britain’s greatest postwar buildings, currently being pulverised next door in an act of civic vandalism that’s been compared to the destruction of the Euston Arch. Read more... |
Rysanov, Neary, BBC NOW, Outwater, Hoddinott Hall, CardiffSaturday, 21 May 2016
Apart from festivals like the BBC Proms that do everything, the best festivals have always been the ones that cut a distinctive profile. They might not offer the best music. Those old French festivals of modern music – Royan, La Rochelle, Metz – were a nightmare of clichéd avant-gardism. But you got what was written on the tin, and if you didn’t like it, serve you right for going. Read more... |
Classical CDs Weekly: Mozart, Vivancos, Rufus WainwrightSaturday, 21 May 2016
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Van de Wiel, Philharmonia, Järvi, RFHFriday, 20 May 2016
“Choleric humour, pathos and kindliness are mingled in conflict," wrote Robert Simpson of Nielsen’s 1928 Clarinet Concerto. The work was written for a player with a complex character, full of contradictions. Last night’s soloist, Mark van de Wiel, the Philharmonia's principal clarinettist, gave a fluent performance of the work convincing on its own terms, portraying the protagonist as an introvert and anti-hero. Read more... |
Lill, Moscow State Symphony Orchestra, Kogan, Symphony Hall BirminghamTuesday, 17 May 2016
Behemoth Dances. Who dances? You know, Behemoth, the huge demonic black cat who cakewalks through Stalin’s Moscow in Bulgakov’s The Master and Margarita spreading mayhem and magic; the spirit – as quoted by Bulgakov, and taken by Stephen Johnson as a sort of motto for his new orchestral work – “that always wills evil, but always does good”. A sardonic fanfare announces his appearance, before the orchestra whizzes away on a bustling, bristling spree. Read more... |
BBC Young Musician 2016Monday, 16 May 2016
What makes a musical performance? The final of Young Musician 2016 presented five judges with this philosophical teaser to ponder. For the previous 90 minutes three contestants with three radically contrasting styles of delivery cleared every bar in front of them, with the help of Mark Wigglesworth and the BBC Symphony Orchestra. Giving the nod to one meant the elbow for the others. Read more... |
Stravinsky: Myths & Rituals, Philharmonia, Salonen, RFHMonday, 16 May 2016
Looking past the ballets for Diaghilev, there are still many superb scores by Stravinsky honoured more in scholarship than performance. In Myths and Rituals, the Philharmonia addresses that lack of wider appreciation with five concerts from May to September. The series got off to a promising start last night with the tiny fanfare for three trumpets – Monteverdi with attitude and wrong notes – from 1955, which was one of Stravinsky’s first thoughts for his last ballet, Agon. Read more... |
theartsdesk at Tectonics Glasgow 2016Saturday, 14 May 2016
For a festival of wild, genre-colliding musical experimentation, Tectonics is almost starting to feel like part of the establishment. Which shows, if nothing else, that it must be getting somewhere with its boundary demolishing. The 2016 weekend over 7-8 May was its fourth outing in Glasgow – conductor Ilan Volkov founded it in Reykjavík in 2012, and since then it’s spread its all-embracing eclecticism worldwide to Tel Aviv, Adelaide, New York and beyond. Read more... |
Classical CDs Weekly: Maurice Greene, Mahler, StravinskySaturday, 14 May 2016
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The Dark Mirror: Zender's Winterreise, Barbican TheatreFriday, 13 May 2016
Elasticity is a surprisingly reliable test for great art. How far can you stretch, bend, or reshape a work before it loses its essence, its identity? Hamlet, The Well-Tempered Clavier, Antigone, Pride and Prejudice can all take almost anything you can throw at them, but what about Winterreise, Schubert’s song-cycle of lost love? Read more... |
Mozart: Serenade in B flat major, 'Gran Partita', Royal Academy of Music Soloists Ensemble/Trevor Pinnock (Linn)
Maurice Greene: Overtures Baroque Band/Garry Clarke (Cedille)Pages
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