fri 12/09/2025

Classical Reviews

Prom 14 review: BBCSSO, Wilson - illusion after illusion from musical conjurer

alexandra Coghlan

A packed Royal Albert Hall on a Tuesday night for a programme of 20th-century English music. Have the nation’s concert-goers come over all prematurely patriotic? Is Holst’s The Planets really that much of a draw? Or could the crowds have more to do with John Wilson – the straight-backed, schoolmasterly figure at the centre of the musical maelstrom?

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Prom 13 review: Rana, BBCSO, Davis – Malcolm Sargent tribute lacks punch

Bernard Hughes

Ten days ago I reviewed the First Night of the 2017 Proms. Last night I was back at the Royal Albert Hall to hear the First Night of the 1966 Proms. This time-capsule experience was courtesy of a re-enactment of Sir Malcolm Sargent’s 500th Prom, in what turned out to be his final season.

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Prom 10 review: Aurora Orchestra, Collon – a revolution taken to heart

Boyd Tonkin

When a trail-blazing orchestra takes on a world-transforming work, it would be pointless to leave the staid old rules of concert etiquette intact. Not only did the Aurora Orchestra under Nicholas Collon stretch their repertoire of symphonies performed from memory to cover the epic expansiveness and ear-bending innovations of Beethoven’s Third, the Eroica.

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Prom 7 review: Weilerstein, BBCSO, Weilerstein - new cello concerto enthrals

alexandra Coghlan

It’s at times like this that I give thanks for the Proms. Who else would (or could) have put together a programme pairing Berlioz’s Symphonie Fantastique with an 18th-century sonic fantasy, or topped it off with a substantial UK premiere? A bit bonkers on the page, it remained so in performance.

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Prom 6: Benedetti, BBC NOW, Søndergård - dazzling violin magic

Gavin Dixon

Nicola Benedetti was the star of this show, no doubt about that. She is a Proms regular and favourite, attracting a large and enthusiastic audience, the Royal Albert Hall filled almost to capacity.

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Prom 3: Faust, COE, Haitink - Europeans tread air under 88-year-old master

David Nice

The message must be getting through. On the First Night of the Proms, Igor Levit played as encore Liszt's transcription of the great Beethoven melody appropriated as the European Anthem; in Prom 2, Daniel Barenboim unleashed his Staatskapelle Berlin on Elgar's Pomp and Circumstance following an inspirational speech about European culture, education and humanism. Yesterday afternoon's manifesto was a given,...

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Prom 1 review: Levit, BBCSO, Gardner - fizzing Adams finally ignites mixed First Night

Bernard Hughes

The ideal First Night of the Proms sets the tone for the season, perhaps flagging up some of the themes to be followed up later, offering a blend of novelty and familiarity, and preferably ending with a roof-raising choral blockbuster. This programme successfully ticked those boxes, but took until the second half to really catch light.

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Ke Ma, Wigmore Hall review - a debut of distinction

Peter Quantrill

The turnout in the Wigmore’s Kirckman series of young-artist showcases was unusually high for this 23-year-old Chinese pianist. With the Op. 28 Preludes of Chopin, it became clear that many of the audience had known what they were waiting for. Up to that point, Ke Ma had given the impression of another young Brahms-and-Prokofiev virtuoso.

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Kozhukhin, LSO, Rattle, Barbican

David Nice

Gorgeous sound, shame about the movement – or lack of it. That seems to be the problem with too many of Simon Rattle's interpretations of late romantic music.

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East Neuk Festival review - Schubert, brass and nine electric guitars

David Nice

Elisabeth Leonskaja, Schubert's greatest living interpreter, was always going to be Queen of Scotland's East Neuk for three summer days; her performances of four piano works and the "Trout" Quintet with outstanding string players were transcendental. But this festival is exceptional in keeping several pertinent...

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