Visual Arts Reviews
Edinburgh Art Festival: From Symbolists to ColouristsWednesday, 08 August 2012
East coast haar seeping into sun-drenched streets – familiar Edinburgh monuments disappearing dreamlike under blankets of mist, vibrant colour draining from the landscape as the city transformed into its more usual symphony in grey. The dramatic change in weather during the first weekend of the Edinburgh Art Festival has mirrored the overwhelming experience of one of this year’s major exhibitions. Read more... |
Eames: The Architect and the PainterThursday, 02 August 2012
A friend of mine has an Eames lounge chair that he treats with enormous reverence and claims is the comfiest seat ever made. I simply don’t get it; with its bent plywood shell and black leather upholstery, this 1956 American design classic looks to me dark, clumsy and uninviting – especially when compared with Eileen Gray’s Bibendum chair of some 50 years earlier or the delicate designs produced in the 1920s for the Bauhaus by Le Corbusier, Marcel Breuer and Mies van der Rohe. Read more... |
Another London: International Photographers Capture City Life 1930-1980, Tate BritainMonday, 30 July 2012
Unadulterated happiness: swinging on the wheel, high above the ground, at the fair on Hampstead Heath in 1949, in Wolf Suschitzky’s photograph that effortlessly conveys that sense of moving at ease through the sky. Fourteen years earlier the same photographer, just arrived from Vienna, immortalised a gravely courting couple smoking their cigarettes over a tea in Lyons Corner House, the behatted lady apparently entertaining a genteel proposition; and inbetween Suschitzky shows us the vie Read more... |
The History of Art in Three Colours, BBC FourThursday, 26 July 2012
It’s a patchy history, the history of art told through the colour gold, though I suppose it would be. After all, despite the title of this new three-part series, we’re not actually talking about gold as colour, that seductively warm, buttery yellow of Italianate landscapes and Turner sunsets, but of gold itself. Actual gold. The Impressionists never used it, but those ancient Egyptian tomb builders did, and so did medieval icon painters. Read more... |
Tino Seghal: These Associations, Tate ModernWednesday, 25 July 2012
Tino Seghal’s Turbine Hall commission makes me wonder about fellow art critics. Do they not get out enough? I’m struck by how easily seduced they are by brief encounters with live, interactive artworks, as if spending so much time looking at inanimate things instead of talking to people has made them imagine that talking to strangers who’ve been drilled for the task is either life-enhancing, edgy or, in fact, interesting. Read more... |
Shakespeare: Staging the World, British MuseumSaturday, 21 July 2012
Where on earth do you begin if all the world’s a stage? When not sifting through the entrails of dynastic English history or sunning themselves in Italy, the plays of Shakespeare really do put a girdle round the known globe. They send postcards from the exotic neverlands of Illyria and Bohemia, wander deep into Asia, set foot as far south as Africa, trespass up to the chilly north of Scandinavia and Scotland, and even make reference to Muscovy. And of course there are the Anthropophagi (... Read more... |
Art in Action, The Tanks, Tate ModernWednesday, 18 July 2012
You now have two choices when you roll down to the bottom of the Turbine Hall's slope. Read more... |
Pertaining to Things Natural: Contemporary Sculpture, Chelsea Physic GardenTuesday, 17 July 2012
There is a growing fashion for new public sculpture and anthologies of contemporary sculpture outdoors, inspiring various polemics for and against. Kew Gardens has been at it for nearly a decade: there was a triumphant Henry Moore show several years ago, followed by glass artist Dale Chihuly festooning their lakes and ponds. The current artist-in-residence, David Nash, creates works with wood from fallen trees. Read more... |
Jenny Saville, Modern Art Oxford and Ashmolean MuseumSunday, 15 July 2012
Jenny Saville rose to art stardom under the patronage of Charles Saatchi. Fresh out of art school, she was contracted to produce work that would then be shown in his gallery. The Royal Academy’s Sensation exhibition in 1997 followed, and she became a fully paid-up member of the YBAs. Read more... |
Metamorphosis: Titian 2012, National GalleryThursday, 12 July 2012
Three paintings by Titian depicting stories from Ovid’s poem Metamorphoses welcome you to the National Gallery’s exhibition Metamorphosis: Titian 2012. Diana and Callisto shows Diana casting out the pregnant nymph Callisto from her company. Read more... |
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