Visual Arts Reviews
Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist pastTuesday, 06 February 2024
In Titian’s painting Diana and Actaeon,1559, a cluster of naked beauties bathes beside a stream. Scarcely visible in the right hand corner is a black woman helping the goddess hide her nudity from Acteon who has stumbled into her private glade. The servant’s clothing and dark skin contrast with the pearly pink flesh of the nymphs – so much so that she almost merges with the tree trunk behind her, as though she were just part of the scenery. Read more... |
Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installationsMonday, 05 February 2024
American artist Barbara Kruger started out as a graphic designer working in advertising, and it shows. Her sharp design skills and acute visual intelligence now produce funny, clever and thought provoking installations in which words and pictures illuminate the way language is (mis)used to cajole, bully, manipulate and lie. Read more... |
Richard Dorment: Warhol After Warhol review - beyond criticismTuesday, 09 January 2024
2023 was a good year for Andy Warhol post-mortems: after Nicole Flattery’s Nothing Special, after Alexandra Auder’s Don’t Call Home, Richard Dorment’s Warhol After Warhol. Read more... |
Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeologyMonday, 08 January 2024
Rosemary, heather and hops. These are just a few of the ingredients included in a special blend of herbal tea created by artist, Dineo Seshee Raisibe Bopape. Subtle yet deep in flavour, the amber coloured tea has a calming, if not soporific and dream-inducing effect. Read more... |
Paul Cocksedge: Coalescence, Old Royal Naval College review - all that glittersThursday, 21 December 2023
"Beautiful outside, unmissable inside" is the is the new tagline for the Old Royal Naval College, Greenwich. If the restoration of James Thornhill’s painted hall wasn’t enough to prompt a journey on the Thames Clipper, Paul Cocksedge’s installation, Coalescence might do the trick. |
Issy Wood, Study for No, Lafayette Anticipations, Paris review - too close for comfort?Tuesday, 19 December 2023
To take a trip into the world of Issy Wood is to be embraced by paradox. A richness of imagery that can at time shock with its blandness and at others seduce with a sense of wonder; a perfectly accomplished surface that reveals, with familiarity, a labyrinth of unexpected depth and sensuality; a confrontation with the glitz of hyper-reality that’s constantly playing with the illusory nature of all images; collections of apparent trivia bathed in an aura of mystery. Read more... |
Mark Rothko, Fondation Louis Vuitton, Paris review - a show well worth the trip across the ChannelTuesday, 28 November 2023
The vast and various spaces of Frank Gehry’s monumental Fondation Louis Vuitton in Paris suit the needs of the thrilling Mark Rothko exhibition now inhabiting its labyrinthine multi-storey suite of galleries. Read more... |
Women in Revolt!, Tate Britain review - a super important if overwhelming showFriday, 10 November 2023
The soundtrack to Tate Britain’s seminal exhibition Women in Revolt! is a prolonged scream. On film, Gina Birch of the punk band The Raincoats gives vent to her pent-up anger and frustration by yelling at the top of her lungs for 3 minutes (main picture). Read more... |
A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identityMonday, 06 November 2023
The introductory panel to Tate Modern's exhibition of photography, film and installation contains some stark facts that remind us of the history informing the work of these 36 African artists. Some 10 million Africans were sold into slavery and by 1914, 90 per cent of this vast continent was under colonial rule (a third of it British), which one could describe as a lesser form of enslavement. Read more... |
El Anatsui: Behind the Red Moon, Tate Modern review - glorious creationsWednesday, 25 October 2023
The enormous volume of Tate Modern’s Turbine Hall has overwhelmed many of those invited to exhibit there, but Ghanaian artist El Anatsui responded to the challenge with magnificent hangings that tame the huge, industrial space. Read more... |
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