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Sheila Johnston

Bio
Sheila worked on the launch of the Independent, where she was a writer-editor and film critic for 10 years. She has written on cinema for the Daily Telegraph and Sunday Telegraph, The Times, Sight and Sound, Guardian, Libération, Interview and New York Daily News, among other places.

Articles By Sheila Johnston

Humpday

Thursday, 17 December 2009 Read more...

The Limits of Control

Wednesday, 09 December 2009 Read more...

Richard Wright wins the 2009 Turner Prize

Tuesday, 08 December 2009 Read more...

Mascarades, Ciné Lumière

Monday, 07 December 2009 Read more...

British Independent Film Awards

Sunday, 06 December 2009 Read more...

Art Gallery: Tim Burton, MoMA, New York

Friday, 04 December 2009 Read more...

The Merry Gentleman

Thursday, 03 December 2009 Read more...

Christian McKay: Me and Orson Welles

Tuesday, 01 December 2009 Read more...

The Girlfriend Experience

Monday, 30 November 2009 Read more...

Interview: Anne-Marie Duff plays Margot Fonteyn

Friday, 27 November 2009 Read more...

A Serious Man

Thursday, 19 November 2009 Read more...

The Informant!

Sunday, 15 November 2009 Read more...

Movie Gallery: Clint Eastwood posters

Saturday, 14 November 2009 Read more...

The White Ribbon

Friday, 13 November 2009 Read more...

Sheffield Doc/Fest: the wrap

Monday, 09 November 2009 Read more...

Filming Woodstock: Fact, Fiction, Fantasy

Saturday, 07 November 2009 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...