Sebastian Scotney

Articles By Sebastian Scotney

EFG London Jazz Festival round-up review - great moments in London's tiny clubs Tuesday, 22 November 2022 Read more...	Juniper review - a classic role for Charlotte Rampling Saturday, 24 September 2022 Read more...
Bloody Oranges review - a gruesome and gruelling French social satire Monday, 19 September 2022 Read more...	Ken Auletta: Hollywood Ending - Harvey Weinstein and the Culture of Silence review - if the tide had turned in 2002... Wednesday, 07 September 2022 Read more...
Album: Julia Hülsmann Quartet - The Next Door Monday, 29 August 2022 Read more...	Official Competition review - satire served cold Friday, 26 August 2022 Read more...
Album: Gabriele Mirabassi and Stefano Zanchini - Il gatto e la volpe Tuesday, 23 August 2022 Read more...	Mingus Dynasty, Ronnie Scott's review - official keepers of the flame at the temple of jazz Thursday, 18 August 2022 Read more...
Prom 40, Moore, RPO, Petrenko review - orchestral clarity, and a persuasive trombonist Wednesday, 17 August 2022 Read more...	Our Eternal Summer review - tragedy taps authentic teenage emotions in Marseille Friday, 05 August 2022 Read more...
Album: Gareth Williams - Short Stories Thursday, 21 July 2022 Read more...	The Good Boss review - Javier Bardem at his creepy best Wednesday, 20 July 2022 Read more...
theartsdesk in Montreal - delights and discoveries at the 42nd International Jazz Festival Monday, 11 July 2022 Read more...	The Big Hit review - prisoners play 'Godot' Friday, 24 June 2022 Read more...
Album: Vadim Neselovskyi - Odesa: A Musical Walk Through a Legendary City Tuesday, 21 June 2022 Read more...	Album: Binker Golding - Dream Like A Dogwood Wild Boy Thursday, 16 June 2022 Read more...

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...