Sebastian Scotney

Articles By Sebastian Scotney

Album: Vicente Archer - Short Stories Wednesday, 10 May 2023 Read more...	DVD: Jazz Fest - A New Orleans Story Saturday, 06 May 2023 Read more...
Elsa Dreisig, Jonathan Ware, Wigmore Hall review - a glorious voice unleashed Friday, 21 April 2023 Read more...	The Beasts review - a countryside idyll loses its charm Tuesday, 21 March 2023 Read more...
Champions review - Woody Harrelson's latest hoop dream Tuesday, 14 March 2023 Read more...	Gerstein, Bintner, Waarts, Wigmore Hall review - fascinating connections, uneven music Tuesday, 07 March 2023 Read more...
Album: Sebastian Rochford, Kit Downes - A Short Diary Saturday, 28 January 2023 Read more...	DVD: Oscar Peterson - Black + White Tuesday, 24 January 2023 Read more...
Dreaming Walls: Inside the Chelsea Hotel review - intriguing portrait of the end of an era Saturday, 21 January 2023 Read more...	Yevgeny Sudbin, World Heart Beat Embassy Gardens review - phenomenal pianism in close-up Thursday, 19 January 2023 Read more...
Sebastian Scotney's Top 10 Films of 2022 Wednesday, 21 December 2022 Read more...	Albums of the Year 2022: Cécile McLorin Salvant - Ghost Song Monday, 19 December 2022 Read more...
Die Zauberflöte, Royal Opera review - classic show but disappointing conductor Saturday, 17 December 2022 Read more...	10 Questions for Bruce Lindsay, biographer of Ivor Cutler Tuesday, 13 December 2022 Read more...
Album: Emma Smith - Snowbound Monday, 12 December 2022 Read more...	Hold Me Tight review - Vicky Krieps mesmerises Friday, 09 December 2022 Read more...

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...