sun 03/08/2025

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

All's Well That Ends Well, Sam Wanamaker Playhouse review - feisty, prickly and topical, as well

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Rita, Sue and Bob Too, Royal Court review - iconic 1980s title makes a welcome return

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My Mum's a Twat, Royal Court review - Patsy Ferran shines in a solo play that looks back in anger

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Best of 2017: Theatre

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The Grinning Man, Trafalgar Studios review - cool puppets but too convoluted by half

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Belleville, Donmar Warehouse review - prickly and unnerving

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Cell Mates, Hampstead Theatre review - intriguing yet opaque

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Happy End review - grimly compelling but to what end?

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Wonder review - sweet and smart but sometimes also schmaltzy

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Network, National Theatre review - Bryan Cranston’s searing London stage debut

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Howards End, BBC One review - EM Forster adaptation is finding its footing

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Call Me By Your Name review - a star is born in a heartbreaking gay romance

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Loving Vincent review - Van Gogh biopic of sorts lacks language to match its visuals

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Young Frankenstein review - Mel Brooks musical is blissfully bonkers

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The Glass Castle review - Woody steals the film by a wide margin

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Home Again review - Reese Witherspoon romcom is divorced from reality

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One of the more interesting tracks on Paul Weller’s fascinating new cover versions album Find El Dorado is his interpretation of “When...

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“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...