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Graham Fuller

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Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

Gilda

Thursday, 21 July 2011 Read more...

Cutter's Way

Friday, 24 June 2011 Read more...

DVD: Kiss Me Deadly

Friday, 10 June 2011 Read more...

Apocalypse Now

Friday, 27 May 2011 Read more...

DVD: Archipelago

Tuesday, 17 May 2011 Read more...

DVD: Prostitute

Tuesday, 03 May 2011 Read more...

Sweetgrass

Saturday, 23 April 2011 Read more...

Celebrating Angela Scoular, 1945-2011

Wednesday, 20 April 2011 Read more...

DVD: Alan Plater at ITV

Monday, 18 April 2011 Read more...

Before the Revolution

Sunday, 10 April 2011 Read more...

You Will Meet a Tall Dark Stranger

Friday, 18 March 2011 Read more...

DVD: The Flying Scotsman (1929)

Tuesday, 01 March 2011 Read more...

DVD: Sweet Smell of Success

Tuesday, 22 February 2011 Read more...

The Fighter

Saturday, 05 February 2011 Read more...

The Oscar Nominations: Who Will, Who Might, Who Won't

Wednesday, 26 January 2011 Read more...

Blue Valentine

Wednesday, 12 January 2011 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...