Graham Fuller | The Arts Desk

thu 19/06/2025

Graham Fuller

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Bio

Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

DVD: La Grande Illusion Tuesday, 10 April 2012 Read more...	theartsdesk Q&A: Film-maker Andrew Kötting Sunday, 08 April 2012 Read more...
DVD: Wuthering Heights Sunday, 08 April 2012 Read more...	CD: Ian Anderson - Thick as a Brick 2 Wednesday, 28 March 2012 Read more...
Blank City Sunday, 04 March 2012 Read more...	Hadewijch Saturday, 18 February 2012 Read more...
House of Tolerance Saturday, 28 January 2012 Read more...	2011: The British Are Climbing Saturday, 31 December 2011 Read more...
Mysteries of Lisbon Saturday, 10 December 2011 Read more...	My Week With Marilyn Friday, 25 November 2011 Read more...
Welcome to the Rileys Wednesday, 16 November 2011 Read more...	DVD: Hammett Tuesday, 08 November 2011 Read more...
DVD: The Complete Humphrey Jennings, Volume One - The First Days Tuesday, 04 October 2011 Read more...	Frans Hals at the Metropolitan Museum, New York Monday, 29 August 2011 Read more...
DVD: Meek's Cutoff Tuesday, 09 August 2011 Read more...	DVD: No Surrender Friday, 22 July 2011 Read more...

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'We are bowled over!' Thank you for your messages... ...

The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...