Carole Woddis | The Arts Desk

mon 22/09/2025

Carole Woddis

Carole Woddis's picture

Bio

Carole Woddis has been a theatre journalist for more than 20 years. She was London theatre critic for The Herald (Glasgow) for over a decade and has written for many national and arts based publications. She has also published three books on theatre and taught Journalism to adults at both Goldsmiths and City Universities.

Articles By Carole Woddis

The Amen Corner, National Theatre Friday, 14 June 2013 Read more...	Blair's Children, Cockpit Theatre Monday, 10 June 2013 Read more...
The Match Box, Tricycle Theatre Monday, 13 May 2013 Read more...	My Perfect Mind, Young Vic Theatre Wednesday, 10 April 2013 Read more...
God's Property, Soho Theatre Thursday, 28 February 2013 Read more...	London Wall, Finborough Theatre Saturday, 02 February 2013 Read more...
Mare Rider, Arcola Theatre Monday, 28 January 2013 Read more...	Midnight's Pumpkin, Battersea Arts Centre Friday, 21 December 2012 Read more...
Arab Nights, Soho Theatre Sunday, 25 November 2012 Read more...	Constellations, Duke of York's Theatre Saturday, 17 November 2012 Read more...
You Can Still Make a Killing, Southwark Playhouse Monday, 15 October 2012 Read more...	Our Country's Good: Director Max Stafford-Clark opens up Wednesday, 22 August 2012 Read more...
Julius Caesar, Noël Coward Theatre Thursday, 16 August 2012 Read more...	Mottled Lines, Orange Tree Theatre Wednesday, 11 July 2012 Read more...
A Midsummer Night's Dream, Lyric Hammersmith Monday, 20 February 2012 Read more...	The Sea Plays, Old Vic Tunnels Thursday, 26 January 2012 Read more...

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'We are bowled over!' Thank you for your messages... ...

Coldwater, ITV1 review - horror and black comedy in the High...

Scripted by Belfast-born playwright David Ireland...

Jansen, LSO, Pappano, Barbican review - profound and bracing...

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very...

Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...

Hadelich, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26...

Album: Mulatu Astatke - Mulatu Plays Mulatu

The tour by the 81-year-old Mulatu Astatke which is currently under way and this album seem to be giving off different...

Music Reissues Weekly: Sly and the Family Stone - The First...

The remarkable The First Family: Live At Winchester Cathedral 1967 represents the first-ever release of a previously...

Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields...

35 years ago, persona-now-non-grata John Eliot Gardiner revealed how performances of Mozart’s Idomeneo and La Clemenza di Tito...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...